Sherwin williams tarpon springs

Color theory - trim and siding

2023.03.21 21:39 CloudImaginary2141 Color theory - trim and siding

The back of my house needs repainting. It was last painted before I owned the home. I love the teal blue/green color it is. It’s a modern home with a historic facade on the front.
Do I paint the trim and siding the same Sherwin Williams “Still Water” (which also looks like Benjamin Moore’s historic collection Yorktown Green) but with the trim glossy and the siding matte finish? Or do I paint the trim the “Still Water” and paint the siding a shade or two lighter (“Riverway” or “Moody Blue”)?
I didn’t think the shades lighter looked like the paired well with the main color, but what does good color theory say?
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2023.03.21 18:58 a15minutestory [WP] You are a student in the most prestigious magic academy in the kingdom. No one knows how you got in, sure you have amazing magic potential, but you’re “magic blind” meaning you can only feel the presence of magic and not see any magic. [Part 64]

A slave-driving murderer had just publicly declared war on us. The cheering and applause of the people standing around us was an eerie and ominous accompaniment to the feeling of dread swelling in my chest and radiating down to my stomach. He'd captured all of them thus far. I swallowed and dropped my gaze down to the pavement as it dawned on me that all of those people had tasted freedom, and were then immediately and mercilessly hunted down and dragged back to hell.
But there was an interesting caveat there. He called us by the names O'Malley had erroneously wrote down in his ledger. The men that were chasing us that day had picked up our actual fake aliases, but then we'd killed them at the inn. It seemed that knowledge died with them– a drop of good luck in a raging downpour it seemed.
"William," I said just loud enough to catch his attention.
He turned and eyed me. "Huh? Were you talking to me?"
I lifted an eyebrow. "Yeah. Who else would I be calling William?"
He narrowed his eyes, "It's Tovin, you spaz."
I glanced around nervously. Nobody appeared to have been listening to us. I took him by the shoulder and led him away from the crowd gathered around the picture boxes. "What are you doing?" I hissed.
"What am I doing?" he scoffed. "What are you doing? You know my name. What, are you playing a game right now?"
"Our aliases," I said through my teeth. "We're using fake names, remember?"
His expression changed from annoyed and confused to forlorn and somber. He swallowed and looked away. "... I'm losing it again, aren't I?" he asked.
I remained silent. I didn't know what to say. I didn't want him to feel worse about it, but that would have been a dangerous slip-up in front of the wrong person. Before now, I was starting to think that Tovin back home had overblown how quickly the mental decline would be.
"Don't worry about it," I said finally, passing him on the sidewalk further into the city. "Come on. We need to find a way to make some money."
"And fast," he added, trailing behind me. "We need food, clothes, and a couple of beds. And more cigarettes, too. I've only got a few left and I'm trying to make them last."
We walked the mazelike streets of Bronzegirder looking for work. I wasn't used to Diesel society yet and often found myself hung up on storefront windows that marketed all kinds of gadgets and technology. I would do my best not to stare when people walked by wearing metallic pieces on their persons.
Some wore gadgets on their forearms, some on their wrists, and others in various other areas. I wondered what purpose they served, where they were sold, and how expensive they could be. And it wasn't just the gadgets. There were far more dark-skinned people here than we had in Galgia. It was something I had read about but never experienced. They ranged from light tan all the way to almost black, and it just added to the culture shock.
There appeared to be people living in the buildings above the storefronts. The tall towers we had seen in the far distance earlier served as housing as well as business space. Diesillians stood on their balconies, some hanging wet laundry, others leaning over their railing while they enjoyed a drink or a smoke. We passed so many things I would have wanted to stop and look at were we not being hunted. DuPonte seemed awfully sure of himself when he said he'd find us, but for the life of me, I couldn't imagine how one would find antything they were looking for in this city.
"I'm totally lost," I admitted. "We need a map or something."
He remained quiet. I turned to speak to him more directly only to find that he wasn't behind me anymore. My stomach dropped as I looked around at the sea of people.
"William?" I called out. "William!"
It was no good. I'd have to literally scream if I wanted to breach the drone of the crowd, and I couldn't afford to draw too much attention to myself. There was also the possibility that he'd forgotten his name again anyway. I adjusted the straps of my backpack and sighed deeply before doubling back. He couldn't have wandered too far away, and he'd be easy to spot against the horde of people in more modern clothing.
I kept close to the storefronts as I picked up my pace. I began to peer into each store as I passed them. The longer I searched, the more I worried. He wasn't in his right mind. He'd get himself noticed and captured if he let too much slip, or pulled down his hood. I came to the turn we had taken after we'd left the picture boxes. He was with me at this point, I was sure of it. I turned around and swallowed as I scanned the crowd.
This was really, really, bad.
"William?" I tried again. I decided to cross the street and nearly got run over by one of their vehicles. It screeched to a stop and when I lowered my arms, I found the front of the metallic machine inches from my face.
"Git the fuck oudda da road!" shouted the pilot, shaking his fist in the air. I quickly scurried onto the opposite sidewalk and made my way down the street with the flow of the crowd. I kept my eyes peeled as I walked. It was difficult to see over everyone's shoulders. Diesillians were a good deal taller than Galgians as a rule, and it made it a nightmare for an average-sized guy like myself. Just when I was about to start asking around, something caught my ear.
Something I never expected to hear– music.
I stopped in my tracks and the public parted around me like a river around a boulder. I turned toward the sound and followed my ears to a large silver pavilion nestled between two tall buildings. It looked like an empty lot that had been designed for another tall building but instead served as some sort of inner-city courtyard where live entertainment performed.
I slowly approached as a woman stood in front of a mic stand singing while a band performed with shining metallic instruments behind her. She had black hair styled in a way I'd never seen hair styled. It was pulled up and around under a hat and shined the same as her red lipstick did. But what awed me the most was that she was singing.
No danger; no combat; no sign of beasts being summoned forth. She sang beautifully, adding something to music that I had never in my life once considered because in Galgia, to sing was to slaughter. Music was a tool of war and forbidden entirely outside of such circumstances, for if one of us were even to hum, anything could come crawling out of the resulting portal.
But here she was, singing what I presumed were the words to a poem in perfect rhythm and harmony with the band that played behind her.
"You're my machine, my heart's ignition. The gears that keep my love in motion. You're the engine that never tires– the pistons set my soul on fire."
I was completely taken in. It was therefore no surprise to me that here in the crowd, I spotted Tovin watching her with equal admiration from the edge of the stage. I weaved through the crowd as politely as I was able and then stopped next to him. He glanced at me before quickly returning his eyes back to the stage. I didn't say anything to him; no words needed said so long as she was singing.
"You, my dear, a love machine, the one that keeps my bearings clean– I'm addicted to your engine's roar, your power's what I'm living for."
I wasn't a hundred percent sure what she was talking about, but it was clearly a love song written for one lucky guy. When the song was finished, she ever so slightly lifted her ruby-red dress from the sides and took a bow. The crowd clapped, a few whistles coming from somewhere behind us.
"Thank you," she said softly into the mic. "It's important to remember that love conquers all," she said, passing her deep black eyes over us. "Hatred fades over time, but love lasts; it endures. This next song is about a long lost love and reconnection."
We stayed and listened to a couple more songs before she left the stage, and the band with her. She disappeared on promises of returning tomorrow for a second show. Of all the things thus far I had seen in the land of our enemy, something so sweet as non-weaponized music ranked among the most surprising and awe-inspiring.
As the crowd began to disperse back onto the main street, I turned to Tovin. "Hey, do me a favor and don't disappear like that. I didn't know where you were and we've got to stick together."
"Can we come back here tomorrow?" he asked, completely ignoring what I'd said. He stared at me with hopeful eyes, a small smile on his face. It still felt strange of him to ask me permission for anything, but I couldn't deny that it was a pretty magical performance.
"Only if we live that long," I answered with a heaping helping of snark. "We need money so we can get off these streets tonight. Come on, we're losing daylight."
He looked past my shoulder and suddenly pointed. "What about that?"
I turned to see a bulletin board posted on the side of a building not far from us. On it were several posts, but one of them specifically read, "200 Octim Sign-On Bonus." The two of us walked up the board and looked over the job.
"There's a sign-on bonus," Tovin said as his eyes moved down the paper. "The Empress needs you. Galgian dogs sent monsters to run amok in our fair empire. Officials are spread thin amidst heightened tensions with Galgia's military. Find and kill monsters for bounties. Seek employment at the Hunters' Barracks at 443 Alloy Avenue on the north side of town. Look for the men in uniform."
"Monsters?" I asked. "There aren't any monsters in Galgia. None in all of Aurii if our textbooks are accurate."
"You want to at least check it out?" he asked.
"I think we'd be wasting our time," I said dismissively. "We hiked through a bunch of wilderness closer to the Galgian border and we didn't see anything all night."
He folded his arms. "Then let's get our sign-on bonus and leave."
That was such a fantastic point that I pushed my palm against my forehead and visibly cringed. "Oof. Why am I so dumb?" I whined.
"I don't think you're dumb," Tovin said as he moved down the bulletin board to look at other flyers. "I think you're just honest to a fault. It never would have occurred to you to do something so underhanded."
I would never get used to compliments from Tovin. It was like watching a different person wear his body and speak with his voice. Had life at ENU really been such a drag on him?
"None of these other jobs are offering money upfront," he added, turning to face me. "Let's head to the north side of town and see if we can find Alloy Avenue."
x - - x - - x - - ★ - - x - - x - - x
The walk was long and difficult– not because it was too far, but because we had to pass so much delicious-smelling food along the way. I hadn't been sure before if Tovin was as hungry as I was, but the north side of Bronzegirder was quiet enough to hear both of our stomachs growling in concert with one another. The buildings were made of brick in the district we wandered through, and the walkways were closer to cobblestone like the kind we had back home. The roads were three times as wide, there were benches along the walkways, and they had planted trees caged in black iron gates at the trunks. The few people that strolled the sidewalks on Alloy Avenue were well-to-do, dressed in expensive-looking suits and wearing high hats with wide brims.
"I like this side of town better," Tovin said as we looked for building addresses. "Though I have to say, I'm surprised to see trees in the collossity."
"Goes a little against what we were taught doesn't it?" I asked.
"I don't recall being taught anything," he grumbled. "It's just another thing I somehow know."
I cast him a sympathetic glance and he didn't seem to like it. He scowled at me, "Don't you pity me."
"I'm not," I rolled my eyes. "I'd never feel bad for you Tovin, not in a thousand years."
"Just shut up," he snapped. "We're here."
He stopped in front of a brick building with an impressive stone staircase that had bronze handrails running up the length of them. At the top were two men in uniform just as the flyer had indicated. He was the first to start up the steps and I quickly followed behind him. As we passed them I took a good look at their uniforms. I could have sworn that I'd seen them somewhere before. We walked up to the glass doors and pulled them open.
A blast of warm air blew over us as we entered the building and it was a welcome reprieve from the cold. Inside was smaller than I had anticipated. I was expecting high ceilings, murals, metal artwork, and all kinds of stuff from how nice the outside looked. Instead, we found ourselves standing in a dirty lobby about the size of a headmaster's office. There were several rows of chairs dotted with people filling out forms on clipboards. At the back of the lobby was a little window with a man sitting on the other side. He was dark-skinned, had a shaved head, and bore a grisly pink scar across his cheek. He waved us forward when he noticed us.
"Let me do the talking," I whispered to Tovin, taking the lead in front of him as we made our way over; he didn't protest.
"Afternoon, gentlemen," he spoke into a microphone that relayed his voice to us through a little black device on the window. "Thinking about joining up?"
Before I could even speak, Tovin leaned onto the counter. "So when you say monsters," he adopted a skeptical look. "You mean like the ones that don't exist?"
The man behind the counter rolled his eyes. "Oh, great, another conspiracy theorist."
"What did you call me?" Tovin shot back.
"Ahhh, ha ha," I called out loudly, pulling Tovin back by his shoulder. "My brother is better at fighting than talking," I covered quickly. "Just talk to me from here on in."
He cast me a disinterested glance before handing us both clipboards with forms attached. "Whatever. Just read the whole thing and sign the liability waiver at the bottom. He's free to deny their existence while they're chewing his face off, but the empire won't be responsible for it."
I took both of the clipboards and passed one to Tovin. The two of us sat down and began going through them– and immediately, we faced a problem. They wanted first and last names, home addresses, medical history, and something called landline numbers. Tovin and I exchanged glances; this wasn't going to work.
I stood up and slowly walked back up to the counter as I looked over the document. Every time I looked, it seemed more and more ridiculous. Blood type? Social security number? Insurance provider? I didn't know what any of this meant. It might as well have been in an entirely different language.
"Did you have a question?" asked the man behind the counter.
"Yeah, I don't have most of this information," I said, setting the clipboard down on the counter. "Sorry, but we're gonna have to just go."
"Well, hang on now," he said, reaching under the little pass-through window and retrieving the clipboard. "I take it you boys are homeless then?" he asked.
"Uhh... Yeah," I answered tentatively. Did they really have such a homeless problem that he was able to jump to that conclusion so quickly? "We don't know how to answer these questions, so thanks anyways."
"I said hang on, dammit," he called through the mic before swiveling around in his chair and pulling some kind of lever underneath it that caused it to sink lower to the floor. He opened a cabinet and began rifling through it. I peered through the window at his chair– it was on some kind of ball axis that allowed him to spin in it freely. I felt like every couple of minutes I was seeing something I'd never seen before. He swiveled back around and lifted his chair back up before he handing me a new form. It was more like a strip of paper with three questions on it.
Shirt size, shoe size, and pant size.
There was a second slip of paper underneath it. I looked back up at the window attendant as Tovin appeared next to me. I handed him the slip of paper and we exchanged glances.
"The empire isn't being picky right now," spoke the man through the speaker. "You'll be assigned a number, a gun, and a uniform. You won't be eligible for emergency care, and you can't be assigned to a party. It'll be just the two of you. If you're still interested, we need all the help we can get."
I shrugged at Tovin, and he got to work filling out the information. I leaned on the counter and jotted down my uniform size before signing the waiver and handing everything back. He took both of the documents and then nodded toward the door on his right. "Come on back."
He reached under the table and did something that caused the door to make a whirring sound. It popped open on its own, and he thumbed us over to it. "Close it on your way in. Walk straight down the hall and through the third door on your left. Your hunter number is 27B and his is 28B."
We walked down the hallway and found the designated door already opened and with a sign on the inside that read, "Uniforms HERE" with an arrow pointing into the room. We were met by a portly woman with bouncy curls that hung down to her shoulders. She sat behind a desk absolutely surrounded by hanging uniforms, all kept in clear covering. She sized us up with a retractable ruler– the coolest ruler I had ever seen. After she took our measurements, she began sifting through uniforms.
"Why did they ask us for our sizes if they were going to measure us?" Tovin grumbled.
"I don't know," I whispered. "Just be quiet."
"Don't tell me to be quiet," he shot back, elbowing me in the ribs.
She turned around holding two suits by the hangers, one in each hand. "Your uniforms will come out of your first bounty collected," she announced. "No money needed upfront. Change into them and make sure they fit." We took them from her and she breezed past us. "Holler out here when you're changed." She closed the door behind her.
We turned away from one another and began getting dressed. I pulled back the crinkly clear material and looked down at the uniform. Now that I was seeing it closer, it was actually an extremely dark shade of blue, rather than black as I had thought prior. I looked down at the hat and held it in my hands. I had seen it before. Then, all at once, it came rushing back to me.
These were the uniforms of the men that had come to the mine. They had come carrying guns to inspect the worksite after what had happened to Hammer. Skully must have thought a monster had gotten to him based on the state of his body. I stared down at the uniform in disbelief. Could monsters really be running around in Diesel territory?
"You better not be looking over here," Tovin warned.
They had mistaken what Tovin had done for a monster attack. Skully's "fonekall" wasn't a pilgrimage. It was some form of long-distance communication. She reached out to the capital to request aid from someone, and they sent these guys. I began to wonder if I was making a mistake. If we could be dispatched like that, then we could feasibly be sent back to the camp.
I closed my eyes and took a deep breath. We were only in it for the sign-on bonus. Once we had that in our hands, we'd be outta here. We could even jump to the next town. They knew nothing about us other than our clothing size. We could be dust in the wind by tomorrow morning.
I shoved those thoughts to the back of my mind and quickly got dressed. The uniform fit perfectly, it was comfortable, and best of all had been designed with a high collar. It covered our neck markings perfectly. I turned to see Tovin with the hat on already. He looked like a classic Diesel villain from a comic book I had read as a kid.
"It fits nice," he said, testing the range of motion he had in his arms. "I think this will work."
"Yeah," I nodded. "Let's get our money and get the hell out."
"Speaking my language," he smirked.
He moved for the door and leaned out, calling for the attendant. I looked at myself in the full-body mirror and did a quick turnaround. I had to admit, I looked pretty darn stylish. The white gloves, belt, and hat looked pretty good against the dark blue and gold buttons.
The woman returned and smiled at both of us, her curls bouncing as she tossed her gaze cartoonishly left and right between us. "You two look good!"
"Thanks," I smiled back. "When do we get our sign-on bonus?"
"Oh, don't worry about that just yet," she said, moving back to her desk. "Do you boys know how to shoot?" she asked as she sat down.
"Shoot?" Tovin asked.
"A gun," she clarified, her smile fading. "Have either of you shot a gun?"
"No, ma'am," I answered. "Our parents didn't let us near them growing up."
"That's no problem," she said, lifting her hands. "We're happy to teach you the basics. You'll just exit the room and go left down to the very end of the hallway. I'll buzz you through the double doors at the end, and Old Mitchell will take you from there."
Tovin audibly groaned, and I took him by the arm, leading him out of the room. We walked down the hallway as he bellyached about what a waste of time it was. It was unlike him to turn his nose up at the opportunity to learn the ins and outs of a new weapon. In fact, he'd been acting weirdly childish lately. I didn't like it. It beat dealing with Tovin-Classic, but it was still a hassle. As we neared the end of the hallway, we began hearing the sound of guns being fired one by one.
The doors buckled and hummed the same as the first door had, and we pushed them open. We passed into a large room with Diesillians shooting at targets a good distance away. This was why the building was so large and the lobby was so small. The brick walls were covered in informational and safety posters, as well as what appeared to be schematics for the weapons themselves.
I looked across the large room to see a man striding toward us. He was wearing shiny black boots that were laced tightly to his calves. His pants and jacket were hunter green, and he bore perhaps the silliest mustache I'd ever seen; It was long and curled at the tips. I had to be careful not to snicker– his eyes were hidden behind dark sunglasses, and I couldn't tell if he was watching me.
"New recruits?" he called out to us from entirely too far away.
"Yes sir," I called back. "My brother and I just signed up."
"Brothers!" he exclaimed. "I love it, dammit!" He stopped in front of us. He was chewing on something and was being as obnoxious as he possibly could about it. He was wearing perhaps the stupidest hat I had seen of the Diesel yet. It had no visible brim and was high on one side while sloping down toward the other. For the life of me, I couldn't discern the purpose of it.
"You boys know how to shoot?" he asked.
"No sir," I shook my head. "We're new at this."
"Good," he smiled widely. "That means you haven't formed any bad habits yet. I love newbies," he said before waving for us to follow him. "Come on, let's get you your rifles. I'm Mitch, but folks around here call me Old Mitchell."
"James," I said as I followed after him. "This is my brother William." It was difficult to talk over the noise of the weapons. I occasionally jumped when someone shot their gun nearby– a reflex I couldn't wait to be rid of. He led us to a small room; so small that it might as well have been a glorified safe. He disappeared inside and came back out holding two guns. The same long metal tubes Tovin and I had been attacked with at O'Malley's inn.
We each took one and promptly inspected it. Suddenly, Old Mitchell stepped forward and grabbed both of our guns by the barrel, lifting them so they were pointed at the ceiling.
"You boys ever even held one of these?" he barked. "Careful where you aim. Never point one of these at anything or anyone that you're not prepared to destroy."
"They sweep you, Mitch?" asked a man as he passed behind us.
"Pointed 'em right at me," he called back with a laugh. "We'll get 'em straightened out, don't you worry about that." He looked at us both, chewing aggressively. "Now I'm gonna let these rifles go. You keep 'em pointed up, you understand?"
"Yes, sir," I answered.
"Sure," Tovin said in a disinterested tone.
He let go of our rifles and we kept them pointed at the ceiling as we were told. I looked up and down the length of the tube before turning it over and inspecting the area under the barrel. It was split underneath with what looked like some kind of spring running along the length of the tube.
"They're not loaded," Mitch said, waving for us to follow him to the other side of the room. "But you will always treat them like they are. I'm going to show you how to load them over here. Set them down on the desk, I'm gonna stand between the two of you so I can watch you both."
I set my gun down in front of me and looked to my right. There was a box of what I presumed to be bullets. I expected them to be round pellet-like projectiles, but they were tubular with roughly textured heads on them.
"Turn your weapon over. You'll notice you can see a spring inside the bottom of the barrel. Close to the other end of your gun, you'll find a little round tab there. Take that tab and push it with your thumb all the way up toward the tip of the barrel. You'll then pop it out to the side there."
I did as he asked, and sure enough, the barrel popped out to the left at the tip of the weapon. I glanced over at Tovin who was struggling with the spring. Old Mitchell moved over and helped him with it. "Sometimes they get stuck," he muttered as he got Tovin to the same step I was at.
"Now," he shouted. "Take your ammunition right there in the box next to you, and begin placing the rounds into the underside of the barrel, flat side first. Then, you'll load more bullets into the gun overlapping one another. Be careful not to let the rounds collide with one another too heavily, or you could have a little accident."
I loaded the bullets carefully one after another until the barrel was about full. He checked on Tovin's rifle, and then inspected mine.
"Good. Now realign the barrel, there and come with me to the bay," he said, starting toward the practice range. I carefully lifted the weapon and rested it against my shoulder, turning with Tovin to follow him. When we stopped at the range, he motioned for Tovin first. "Come on, Will, we're gonna start with you."
"Pass," he said nonchalantly.
Old Mitchell blinked twice. "What?"
"I want to see Gill do it first," he said, stepping out of my way.
"It's a nickname," I said quickly, stepping up to the range. "Anyways, I'll go first, I don't mind, what do I do here?"
Mitch remained silent for a couple of seconds before clapping his hands once. "Okay! Well, go ahead and pull the hammer back."
I looked down at the weapon and then back up at him. Sensing my confusion, he carefully reached forward and pulled back a little tiny lever on the top of the rifle until it clicked. "That's called pulling the hammer back," he said. "Will, you watching this?"
He didn't wait for a response. "Next thing you're gonna do is pull that lever out underneath the gun. That's going to load the weapon with a fresh cartridge. You're gonna do that between every shot, now. Lift it up against your shoulder like this; get it snug in there." He pulled it against my shoulder. "Look down the iron sight there at the tip of the rifle and line it up against your target. Your weapon is primed and ready to fire. You're good for fifteen shots before you've got to reload. You can always flip it over to see how many bullets are left. Go ahead and aim carefully, and try and hit that target paper down there."
At the end of the range, there was a piece of paper with a silhouette of a human head, shoulders, and torso. I closed one eye for better aim and held the gun tightly as I lined up my shot.
"Don't pull the trigger," Mitch advised in my left ear. "Squeeze it. Squeeze the trigger until it doesn't move easily anymore. Then when you're sure about your aim, squeeze with just that little bit of extra strength you need."
I did as he said, and felt what he was referring to. With my target in sight, my hand steady, and my aim as true as I could hope for, I fired the weapon. The shot rang out right in my ear, but interestingly enough, it wasn't so bad when I was the one firing. I was ready for it, and expecting it.
"Holy smokes!" exclaimed Mitch. "You put one right between the eyes!"
"Beginners's luck," said a man from behind me. "I did the same thing first time I shot, and never did it again."
"Let's prove him wrong, James," Old Mitchell laughed. "Now use that lever under the gun to eject the casing and load a fresh bullet."
I pulled the lever and the shiny little bullet casing popped out the top and flew over my shoulder. It was a really satisfying feeling.
"Do I pull the hammer again? I asked.
"Nope, it'll pop back down. You'll only pull that hammer back the first time. Go ahead and fire again, only this time, aim for the neck."
"Alright," I said, closing my eye and tightening my focus. I squeezed the trigger just as I had the first time and shot a hole straight through the center of the target's neck. I lifted my head and smiled. "I hit it!"
"No way," said the man behind me. "Ain't never shot before, my ass. He's taking you for a ride, Mitch."
"You're sure you're new at this, son?" Old Mitchell asked, one eye half shut. "That's really impressive, kid. Seriously, if this is your first time holding a rifle, you might be cut out for the military. Had a staff sergeant with worse aim than you."
"Alright, alright," Tovin pushed me aside. "My turn. Let me show you something you'll never forget."
The two of us took turns shooting for hours. We hadn't even noticed the time going by. For once, it seemed Tovin had found something he wasn't naturally amazing at, and it was infuriating him to no end.
Conversely, I found something I was really, really good at. I hit my target almost every time, and to be honest, I couldn't figure out what was so difficult about it. A crowd had gathered to watch me shoot. I got really swift with the lever, and could shoot out both of a target's eyes, and put one in its forehead in a matter of seconds.
Tovin wasn't a bad shot, but I knew how he felt. If he wasn't first, he was last as far as he was concerned, and at one point he about threw his rifle. Old Mitchell had to talk to him about how some things come naturally to others, and how he shouldn't be discouraged from coming to the range and practicing.
It was rich hearing Tovin get that talk of all people. The natural genius that outshined everyone, struggling with something for the very first time. I almost couldn't believe I was better than him at something, and of course, it just had to be the thing that we'd never do again once we found our friends and went back home.
Our friends.
We were wasting time here. "Hey, Mitchel," I turned toward him. "When do we get our sign-on bonus? It was supposed to be something like 200 octims."
"You get your sign-on bonus when you bring back your first bounty," he responded quickly.
"What?" Tovin shouted. "That's not fair! We signed on, now where's our money?"
I was equally upset. We were lied to. But it made sense that they couldn't just hand us uniforms, cash, and a gun, and let us go. They wanted to make sure we at least killed a monster.
"It's fine," I said with a sigh. "Where can we find bounties?"
"It's not fine," Tovin protested.
I yanked him by the collar of his shirt and looked him in the eyes. "It's fine," I said slowly and firmly. "We'll run out, bag a monster, and be back before dark."
He held eye contact with me for several seconds before shrugging me off of him and walking away. He stormed across the bay and left through the double doors at the other end of the room.
"My brother was the same way," said Mitch. "Hard-headed. Stubborn as a mule. Loyal as anyone you'd ever meet though."
He had no idea. Tovin wasn't just difficult, but he was turning into a walking liability. I didn't know how much longer I could take him acting like this. Suddenly, Mitch extended his arm, pointing to a door adjacent to where he'd gotten our guns from.
"Bounty board is in there. Come on, I'll show you."
It was a medium-sized room with several corkboards wall to wall filled with bounties. Every monster was named and almost all of them were sketched to a professional degree. You could find how much money the monster was going for, which hunters it had killed, where it was last seen, as well as whether or not there were hunters currently after it.
They had a system where you would notate which monster you were going after, and if you didn't return, they'd add your name under the list of hunters that died searching for it. There were so many monsters I couldn't believe it, and according to Old Mitchell, these were only the monsters within a five-mile radius of Bronzegirder.
I learned the process of choosing a bounty and chose a smaller monster with no names under its fatality list. Mitch agreed it was a good monster for beginners, and offered a few pointers for tracking it. I submitted the bounty request and got it approved before leaving the bay and heading down the hall in search of Tovin. I entered the lobby and didn't see him. I left the building and found him at the top of the steps staring out into the street where a couple of vehicles were hauling something massive together under a tarp.
Several uniformed hunters were walking slowly next to the vehicles. Their uniforms were tattered and bloodstained, and a few of them walked with a limp. We watched as the exhausted men passed the building on their way down the road. Two of them were sobbing silently, but we could tell by their exposed teeth and wrinkled expressions that they'd lost someone.
From beneath the tarp, a scaly limb fell off the side of the vehicle and dangled lifelessly. It was a reptilian-looking arm with an open wound, and the shredded remnants of a uniform hanging from its claws.
"Gill," Tovin said quietly. "Is that..."
"Yeah," I answered.
"That's definitely a monster."
Writing Prompt Submitted by u/My-Last-Hope
submitted by a15minutestory to A15MinuteMythos [link] [comments]


2023.03.21 18:33 patrone84 What’s happening to the paint on my front door?

Repainted my front door as one of our first DIY projects as new homeowners. Went with Sherwin Williams exterior acrylic latex paint. Door looked fantastic for the first few months…but now I’m noticing this bubbling texture appearing on the door. Door does get a lot of sun…but is somewhat sheltered from other elements as it’s recessed under an entryway.
What did I do wrong and how do I remedy?
https://imgur.com/gallery/s4UTodI
submitted by patrone84 to HomeImprovement [link] [comments]


2023.03.21 18:10 WilliamsLakeNewsBot Sunshine for a spring ski at Bull Mountain near Williams Lake - Williams Lake Tribune - Williams Lake Tribune

Sunshine for a spring ski at Bull Mountain near Williams Lake - Williams Lake Tribune - Williams Lake Tribune submitted by WilliamsLakeNewsBot to WilliamsLakeNews [link] [comments]


2023.03.21 17:12 ColdBlackWater Spring and All by William Carlos Williams

By the road to the contagious hospital
under the surge of the blue
mottled clouds driven from the
northeast -- a cold wind. Beyond, the
waste of broad, muddy fields
brown with dried weeds, standing and fallen
.
patches of standing water
the scattering of tall trees
.
All along the road the reddish
purplish, forked, upstanding, twiggy
stuff of bushes and small trees
with dead, brown leaves under them
leafless vines --
.
Lifeless in appearance, sluggish
dazed spring approaches --
.
They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
the cold, familiar wind --
.
Now the grass, tomorrow
the stiff curl of wildcarrot leaf
One by one objects are defined --
It quickens: clarity, outline of leaf
.
But now the stark dignity of
entrance -- Still, the profound change
has come upon them: rooted, they
grip down and begin to awaken
submitted by ColdBlackWater to timeslip [link] [comments]


2023.03.21 15:14 thewmatic [For Sale] Most of Collection: More Added! Indie, Emo, Hiphop, Alternative

More Records Added!
♤all prices include shipping ◇Pictures available upon request in chat ♧Willing to make deals on 2+ ; $20 minimum
FREE MYSTERY RECORD STILL INCLUDED IN ANY $75 PURCHASE!
$34 - 112 - Room 112 VG
$21 - 1975 - A Breif Inquiry Into Online Relationships VG+
$25 - 1975 - Notes on the Conditional Form (clear) VG+
$39 - A Day To Remember - Old Record (2010 black press) VG+
$45 - A Wilhelm Scream - Partycrasher (Kaleidoscope) VG+
$50 - A Wilhelm Scream - Ruiner (black/red/gray tri color) VG+
$45 - A Wilhelm Scream - Career Suicide (clear w black and gold splatter) VG+
$32 - Aaliyah - Aaliyah (red and gold galaxy club edition) SEALED
$68 - Aaron West and the Roaring Twenties - We Don't Have Each Other NM
$35 - Aaron West and thr Roaring Twenties - Routine Maintenance (orange) VG+
$45 - Aaron West and the Roaring Twenties - Live from Asbury Park (mustard) SEALED
$20 - Action Bronson - Mr Wonderful NM
$20 - Aesop Rock - Spirit World Field Guide (clear) SEALED
$40 - Aesop Rock - None Shall Pass (2013 2xLP) VG+
$18- AFI - Bodies (black,gray,Silver tri) SEALED
$42 - Against Me! - Transgender Dysphoria Blues (gatefold) VG+
$18 - Against Me! - The Disco Before the Breakdown (red) VG+
$18 - Against Me - Cavalier Eternal (opaque blue) VG+
$90 - Against Me! - Crime as Forgiven By (white /200 2001 press) NM
$24 - Akron/Family - Love is Simple 2xLP VG+
$40 - Alexisonfire - Otherness (Gold Nugget SEALED)
$210 - Alexisonfire - Crisis (2016 2xlp clear w white swirl with bonus clear w white swirl 7" comes with slipcover) VG+
$22 - Alexisonfire/Moneen Switcheroo Split VG+
$33 - Alexisonfire - old crows/young Cardinals SEALED
$50 - Alexisonfire - Otherness (black in cleaorchid in clear DELUXE) SEALED
$21 - AL Green - Greatest Hits NM
$21 - Alien Boy - Don't Know What I Am (pink and lemon) VG+
$21 - Alien Boy - Sleeping Lessons (pink/white mix) VG+
$18 - Allen Stone - Apart (orange) vg+
$35 - Anderson East - Alive in Tennessee VG+
$19 Anna of the north - Dream Girl (blue)
$20 - Antarctigo Vespucci - Love in the time of Email (Maroon) SEALED
$40 - Anthony Green - Beautiful Things SEALED
$85 - Anthony Green - Avalon (black 2008 first press) VG
$30 - Anthony Green - Live at Studio 4 (Gold and green pinwheel) sealed
$60 - The Appleseed Cast - Mare Vitalis (green w blue marble[alt cover] import) VG+
$52 - The Appleseed Cast - Low Level Owl 1 + 2 (teal 3xlp) VG+
$19 - Aretha Franklin - Greatest Hits (2016 reissue) VG+
$55 Arkells - Jackson Square (clear w bone black and oxblood splatter) VG+
$19 - Arlo Parks - Super Sad Generation (white) SEALED
$42 - Armor for Sleep - What to do When you are Dead (2xlp Deluxe green/white galaxy) VG+
$140 - As Tall As Lion - S/T (clear w pink splash) VG+
$25 - As Tall As Lions - Lafcadio (powder blue) SEALED
$24 - Astronautalis - This is Our Science VG+
$24 - Astronautalis - Pomegranate (clear) VG+
$45 - At the Drive In - Vaya (White 10")VG+
$17 - At the Drive In - in-ter-a-li-a (oxblood) VG+
$18 - The Ataris - Anywhere but Here VG+
$28 - Atmosphere - God Loves Ugly (3xLP Club edition white/black marble with zine) SEALED
$17 - Aviator - Loneliness Leaves the Light on For me /500 SEALED
$20 - Autre ne Veut - Anxiety VG+
$40 - Balance and Composure - The Things We Think Were Missing (half black half blue) VG+
$34 - Balance and Composure - Separation (green/orange a side b side) SEALED
$20 - Balance and Composure - Only Boundaries (clear)
$18 - Balance and Composure - Light We Made VG+
$32 - Band of Horses - Cease to Begin VG+
$72 - Band of Horses - Acoustic at the Ryman VG [some sleeve wear]
$30 - Bartees Strange - Live Forever (black with bone and red splatter) VG+
$40 - Bartees Strange - Farm to Table (green/brown/tan tricolor) NM
$30 - Basement - Promise Everything (half blue half baby blue) VG+
$22 - Beach Slang - Broken Thrills VG+
$19 - Bears Den - So that you Kight Hear Me VG+
$26 - Beastie Boys - Paul's Boutique (double gatefold 20th anniversary)
$40 - The Beatles - The Decca Tapes (1979 picture disc unofficial LK 4438) VG+
$20 - Ben Gibbard (Death Cab For Cutie) - Former Lives VG+
$18 - Big Sean - Finally Famous Deluxe Edition NM
$25 - Birdy - Birdy VG
$75 - Black Country, New Road - Ants up there (Bronze Marbled) Sealed
$50 - Black Country, New Road - Ants up there (Blue Marbled) Sealed
$50 - Bleachers - Gone Now (White w red)
$30 - Bleachers - Live at Electric Lady (fruit punch)
$40 - Bleachers - MTV Unplugged SEALED
$29 - Bleachers - Take the Sadness Out of Saturday Night (leather jacket cover) VG+
$25 - Bloom - Thousand Yard Stare (pink)
$65 - Blu and Exile - Below the Heavens (blue marbled) VG+
$18 - Bobby Barnett (Captain We're Sinking) - Little Wounds (clear) VG+
$20 - Bo Burnham - Inside VG+
$20 - Bon Iver - 22, a million VG+
$19 - Bon Iver - Bon Iver gatefold black VG+
$32 - Bon Iver - i,I (ttl Red) VG+
$38 - Boys Night Out - Boys Night Out (half pink half yellow) SEALED
$26 - Braid - Frames and Canvas (blue/silver swirl) VG+
$50 - Brandtson - Send Us a Signal (dark blue) sealed
$19 - Brian Bonz - Misophonia SEALED
$55 - Brian Bonz and the dot hongs - From Sumi to Japan (comes in limited edition embroidered sleeve)
$20 - Brian Fallon - Local Honey (orange)
$21 - Brian Fallon - Sleepwalkers NM
$22 - Bright Eyes - Letting off the Happiness SEALED
$20 - Bright Eyes - There's no beginning to the story VG+
$19 - Brittany Howard - Jamie (starburst) VG+
$30 - Bruce Springsteen - Greatest Hits 2XLP 2018 repress VG+
$20 - Camp Trash - The Long Way, the Slow Way (Swamp green/milky clear) NM
$30 - Camp Trash - The Long Way, The Slow Way (White tour press alt cover) VG+
$16 - Caracara - Summer Megalith (half pink half blue) vg+
$30 - Caroline Kingsbury - Heavens Just a Flight (white) NM
$150 - Cartel - Chroma (ultra clear VG+)
$45 -Cartel - Chroma live (White w red splatter VG+)
$35 - Cassino - Kingprince (White Marble with obistrip NM)
$54 - Cassino - Sounds of Salvation (white /300)
$42 - Cassino - Sounds of Salvation (black /300)
$58 - Cave In - Tides of Tomorrow ( Lime Green VG+ )
$65 - Chance the Rapper - Coloring Book (red/orange OFFICIAL press) VG+
$20 - Charles Bradley - Black Velvet (Purple w black splatter VG+)
$20 - Charles Bradley - Changes VG+
$20 - Charles Bradley - Victim of Love VG+
All 3 Charles Bradley for $50
$17 - Charly Bliss - Young Enough (Blue) VG+
$29 - Charmer - Ivy (cloudy clear w green) Sealed
$60 - Chelsea Cutler - How to Be Human (Coke Bottle Clear) SEALED
$22 - Childish Gambino - Kauai (light blue) NM
$22 - Childish Gambino - Camp (2xlp 180g) VG+
$29 - Choir Boy - Gathering Swans (glow in the dark) VG+
$18 - Chris Farren - Can't Die (baby blue) VG+
$35 - Circa Survive - A Dream About Love (Gold Sealed)
$32 - Circa Survive - A Dream About Love (Green w Splatter) VG+
$55 - Circa Survive - Live Sky Noise (Blue/Orange Split with Blue splatter) VG+
$50 - Circa Survive - Live Sky Noise (red/yellow w black splatter butterfly) VG+
$100 - Circa Survive - Inuit Sessions (Pink) VG+
$86 - Circa Survive - A Dream About Death (Crystal Blue with alt screenprinted numbered cover) NM
$20 - Citizen - Everybody is Going to Heaven (SilveCream/Baby Blue) VG+
$24 - Citizen - Life in Your Glass World (Blue/Green galaxy swirl) sealed
$24 - Citizen - Youth (clear) VG
$34 - Citizen - Youth (green w black smoke) VG+
$31 - Clairo - Immunity VG+
$17 - Claud - Super Monster (Blue) VG+
$28 - Clint Lowery - God Bless the Renegades (red w black) SEALED
$30 - Cloud Nothings - Attack on Memory (10th Anniversary Blue Sky color with 2x7" clear flexi) SEALED
$15 - The Coffis Brothers - In the Cuts VG+
$15 - Cold Moon - Whats the Rush (clear w olive splatter) SEALED
$30 - Coldplay - X&Y (slipcase, light shelf wear) VG
$36 - Cold War Kids - Mine is Yours VG+
$15 - Common - A Beautiful Revolution pt 1 (red smoke) SEALED
$16 - Crossed Keys - Saviors (blue swirl) VG+
$45 - Damien Rice - My Favourite Faded Fantasy (2xlp gatefold) VG+
$40 - Dan Mangan - Nice Nice Very Nice 10th anniversary VG+
$38 - Dance Gavin Dance - Afterburner (Black in yellow w mustard splatter) VG+
$390 - Dance Gavin Dance - Box Set (6xlp all color pics available VG+)
$65 - Dance Gavin Dance - Artificial Intelligence (black gatefold) VG+
$30 - Dance Gavin Dance - Tree City Sessions (OXBLOOD/BEER) VG Sleeve wear
$25 - Dance Gavin Dance - Tree City Sessions 2 (mint/black/gold) VG+
$25 - Danny Elfman - Nightmare Before Christmas Soundtrack (2xlp purple/yellow) vg+
$18 - Darlingside - Fish Pond Fish
$18 - Dave Chappelle - 8:46 SEALED
$22 - Dave Hause - Kick (clear w black red splatter) SEALED
$18 - Daywave - Crush SEALED
$215 - The Dear Hunter - Act 1 and Act 2 3xlp Clear VG shelf wear
$39 - The Dear Hunter - Act 4 Rebirth in Reprise (oxblood/sea blue haze) VG+
$45 - Death Cab For Cutie - Live 2012 (white w black splatter) SEALED
$60 - Deep Sea Diver - Impossible Weight (test press w one of a kind custom sleeve) NM
$40 - Deep Throat Choir - Be OK (import) VG+
$60 - Derek Ted - Better Spirit (test press w one of a kind custom sleeve) NM
$23 - Dermot Kennedy - Doves and Ravens (clear)
$115 - Dermot Kennedy - Without Fear Complete Edition (Blue) VG+
$23 - Dessa - Ides (clear SIGNED) vG+
$22 - Dessa - Sound the Bells SEALED
$20 - Devon Kay and the solutions - Grieving Expectation (clear w light blue dark blue splattet) SEALED
$20 Diet Cig - Swear I'm good at this (blue marbled) VG+
$45 - Dinner Party - Dessert EP (yellow w red splatter) VG+
$22 - Dinner Party - S/T VG+
$27 - The Dip - Delivers VG+ still in shrink
$30 - The Dirty Nil - Fuck Art (Pink) VG+
$30 - The Dirty Nil - Master Volume (red) VG+
$23 - The Distillers - Sing, Sing Death Horse (Doublemint black galaxy) SEALED
$29 - Dogleg - Melee (Black w yellow splatter) NM
$19 - Dryjacket - Lights, Locks and Faucets SEALED
$22 - Doomtree - No Kings NM
$22 - Early Eyes - Look Alive (Blue Seafoam Wave) vg+
$20 - The Early November - Lilac (White & coke bottle green pinwheel) vg+
$200 - The Early November - The Mother, The Mechanic, The Path (oxblood/mustard) VG+
$17 -Eastwood - It Never Gets Easy (green w bone,yellow,white splatter) SEALED
$19 - Empire Empire! (I was a Lonely estate) - You Will Eventually be forgotten VG+
$25 - Fairweather - If they move kill them.. (clear and black marble) Sealed
$20 - Father John Misty - Fear Fun VG+
$26 - The Felix Culpa - Sever Your Roots (2xlp, seam split) VG
$60 - Fear Before - Fear Before (brown black split) NM
$20 - Fences - Lesser Ocean (salmon) vG+
$22 - Fiddlehead - Between the richness (White inside purple) VG+
$20 - FKA Twigs - LP1 VG+
$25 - The Flatliners - Inviting Light (doublemint) VG+
$20 - Fleet Foxes - A Very Lonely Solstice (clear) VG+
$26 - Fleet Foxes - Shore (Crystal Clear) VG+
$100 - Flobots - Fight With Tools (Signed red and blue Cornetto) SEALED
$23 - Fontaines DC - A Heros Death (clear) SEALED
$135 - The Forecast - In the Shadow of Two Gunmen (clear) VG+
$20 - The Format - The EP SEALED
$75 - The Format - Interventions and Lullabies (Silver) VG+
$35 - Foxing - Dealer (clear w red splatter) SEALED
$20 - Foxing - Draw Down the Moon (brown in light blue) NM
$50 - Francis and the Lights - A Modern Promise VG+
$160 - Francis and the Lights - Farewell, Starlite!
$60 - Frank Ocean - Nostalgia, Ultra (bootleg red)
$30 - Frank Turner -England, Keep My Bones 10th Anni (yellow) SEALED
$50 - Free Nationals - S/T (Gold nugget) VG+
$21 - Fuckin Whatever - S/T (yellow w blue splatter)
$24 - Fugees - The Score (clear w smoky white) SEALED
$60 - Further Seems Forever - The Moon Is Down boxset (cloudy white) NM
$20 - Future Islands - The Far Field (white) NM
$145 - Gallant - Ology 2xlp VG+
$24 - Gary Clark Jr - Live VG+
$26 -Gary Clark Jr - This Land SEALED
$ 18 - The Gaslight Anthem - American Slang VG+
$70 - The Gaslight Anthem - Get Hurt (red and white splatter) VG+
$55 - The Gaslight Anthem - The 59 Sound (blue/black mix) VG+
$19 - Gatsbys American Dream - Modern Man (pink/black mix) NM
$20 - Gatsbys American Dream - In the Land of Lost Monsters (cleaglow in the dark split)
$30 - The Get Up Kids - Four Minute Mile (White w blue splatter) NM
$22 - The Get Up Kids - The Guilt Show (Clear w Red Splatter SEALED
$26 - The Get Up Kids - Live @ the Granada Theater (clear and blue swirl) NM
$24 - The Get Up Kids - On a Wire (green and gray swirl) SEALED
$22 - The Get Up Kids - There Are Rules (Blue 2xlp Deluxe w bonus songs) SEALED
$25 - The Get Up Kids - Woodson (1997 black) VG+
$42 Glasvegas - Glasvegas (import, 10th anniversary cover) NM
$20 - The Go Team - The Scene Between VG+
$26 - Gold Necklace - S/T VG+
$20 - Gregor Barnett - Dont Go Throwing Roses in my Grave (clear w black smoke) NM
$45 - Grouplove - Never Trust a Happy Song VG+
$50 - Gulch - Impenetrable Cerebral Fortress (yellow and mint split with orange splatter) NM
$36 - Hail Mary Mallon - Beastiary (Beza Version Picdisc) NM
$60 - Half-Waif - The Caretaker (test press w one of a kind custom sleeve)
$30 - Hanibal Buress - Animal Furnace VG+
$25 - Hazel English - California Dreamin (red flexi) NM
$70 - He Is Legend - I Am Hollywood (yellow) SEALED
$55 - The Head and the Heart- S/T VG+
$28 - Hobo Johnson - The Fall of Hobo Johnson (white) NM
$30 - Homesafe - Nervous Reaction (coke bottle ghostly) VG+
$18 - Homesafe - One (blue) SEALED
$35 - The Horrible Crowes - Elise 10th anni (silver) VG+
$35 - The Hotelier - Goodness VG+
$50 - The Hotelier - Goodness (cerulean and coral) VG+
$22 - Houndmouth - Good For You (yellow and orange swirl) sealed
$55 - Hozier - Nina Cried Power (180g) VG+
$40 - Ace Enders - Dustin off the ol guitar (red/black w white splatter) VG+
$40 - The Internet - Hive Mind VG+
$38 - Iron Chic - You Can't Stay Here (clear w red black gold splatter) VG+
$20 - Ivy Sole - Overgrown (blue/clear w yellow splatter) NM
$26 - J.S. Ondara - Tales of America VG+
$75 - Jaden - ERYS (pink) SEALED
$18 - Jaws - Be Slowly (white) VG+
$110 - Jay-z and Kanye - Watch the Throne (bootleg burgundy marbled) VG+
$29 - The Jealous Sound - A Gentle Reminder (white) SEALED
$75 - John Nolan - Height (random color w one of a kind custom jacket)
$46 - Joy Crookes - skin (clear; import) SEALED
$85 - Joyce Manor - S/T (Coke bottle clear) VG+
$56 - Joyce Manor - 40 Oz to Freedom (lime) NM
$26 - Joyce Manor - S/T (remaster with red cover color mix vinyl) VG+
$130 - The Juliana Theory - Emotion is Dead (red/gold split blue/white split) SEALED
$60 - Just Friends - Hella (reddish bone and black w alt cover screen print) NM
$35 - K Flay - Every Where is Some Where (white) SEALED
$19 - K Flay - Inside Voices/Outside Voices (green) SEALED
$17 Kacy Hill - Simpke Sweet and Smiling (clear and pink splatter) SEALED
$37 - Kanye West - My Beautiful Dark Twisted Fantasy (3xlp) SEALED
$100 - Karen O and the Kids - Where the Wild Things Are VG+ (slight shelf wear)
$20 - Kevin Devine - Put Your Ghost to Rest (blue and white) VG+
$16 - Kate Bush - This Woman's Work 7" VG+
$20 - Kid Canaveral - Faulty Inner Dialogue (yellow) VG+
$25 - Korine - Tear (Clear) NM
$120 - Kurt Travis - Everything is Beautiful (white) VG+
$85 - Kurt Travis - There's a Place I Want to Take You (baby blue) VG+
$22 - Lando Chill - FOR Mark, Your Son (cleared split) VG+
$17 - Lando Chill - The Boy Who Spoke to the Wind (purple w white splatter) VG+
$20 - Latewaves - Hell to Pay ( clear w blue splatter) VG+
$21 - Laura Jane Grace - Stay Alive (lapis blue) NM
$20 - Laura Jane Grace - At War with the Silverfish (clear) SEALED
$32 - Laura Jane Grace and the Devouring Mothers - Bought to Rot VG+
$50 - The Lawrence Arms - Skeleton Coast (Malort) VG+
$35 - Left Behind - No One Goes to Heaven (Kelly green)
$20 - Leon Bridges - Gold Diggers Sound (alt cover) Vg+
$22 - Leon Bridges - Good Thing VG+
$25 - Lilac Queen - If Only (purple/blue smash) VG+
$47 - Lucky Daye - Painted SEALED
$64 - Luke Fiasco - Food and Liquor Series (boxset gold and purple swirl/silver) SEALED
$22 - Lurk - Electro-Shock (clear w blue and white splatter) SEALED
$36 - LVL Up - Space Brothers (green)
$135 - Lydia - Illuminate (seablue) VG+
$23 - Macseal - Super Enthusiast (doublemint green) SEALED
$40 - Macseal - yeah, no I Know (pink w etching) vg+
$50 - Mae - Destination B Sides (Blue) VG+
$22 - Manchester Orchestra - The Million Masks of God (pink shimmer) SEALED
$70 - Manchester Orchestra - Mean Everything to Nothing (180g w cd) VG+ in shrink
$20 - Maps and Atlases - Beware and be Grateful VG+
$48 - Maritime - We the Vehicles (red) VG+
$35 - Marlon Williams - Make Way for Love (blue) VG+
$50 - Mars Volta - Frances the Mute (blue/red bootleg) VG+
$31 - Mat Kerekes - Luna and the wild blue everything (tri color blue/white/light blue) SEALED
$24 - Mat Kerekes - Luna (white/black asidebside) SEALED
$18 - Matt Berninger - Serpentine Prison (Sea blue) SEALED
$46 - The Menzingers - On the Impossible Past (summer sky wave) VG+
$50 - Mercy Union - The Quarry (Limited to One Record store Anniversary release with screened cover (Sealed)
$18 - Middle Distance - BlueShift (white) SEALED
$25 - Miles Davis - Kind of Blue (2018 Europe reissue with white cover) VG+
$30 - Mini Trees - Always in Motion (red scarlet) SEALED
$100 - Moneen - Are We Really Happy with Who we Are Right Now (orange w clear splatter) VG+
$21 - Movielife - This Time Next Year (gold) VG+
$19 - The Movielife - Cities in Search of a Heart (doublemint) SEALED
$27 - The Muppets - The Muppets Christmas Carol (import) VG+
$16 - Mundy's Bay - Lonesome Valley (bone gray marble) SEALED
$17 - Muskets - Violent Paradise SEALED
$35 - My Bloody Valentine - Isnt Anything (bootleg import) VG+
$25 - My Chemical Romance - May Death Never Stop You (jalapeño green) SEALED
$21 - The National - Boxer VG+
$31 - The National - I Am Easy to Find (red, yellow, grey 3xlp) NM
$31 - The National - Sleep Well Beast(blue) NM
$22 - Nnamdi Ogbannaya - Drool (orange cream) VG+
$16 - No Better - It Felt Like Glass (light blue) SEALED
$46 - No Pressure - No Pressure (yellow) SEALED
$42 - Notorious BIG - Life After Death 3xLP VG+
$180 - Noah Gunderson - Family VG+
$22 - No Devotion - Singles 2014 SEALED
$27 - Nothing, Nowhere - Reaper X Ruiner (White w blk splatteblk w white splatter) VG+
$180 - Northstar - Pollyanna VG+
$40 - Oddisee - The Beauty in All VG+
$25 - Oddisee - Rock Creek Park (autumn gold) VG+
$60 - Of Monster and Men - Beneath the Skin (clear) VG+
$18 - Old 97s - Most Messed Up VG+
$46 - Oragami Angel - Gami Gang (half black half white) VG+
$30 - Oso Oso - Basking in the Glow (Pink) VG+
$24 - Owen - The Seaside EP (blue marble) VG+
$43 - POS - Audition 2xLP VG+
$25 - The Pains of Being Pure at Heart - S/T (white w pink yellow splatter) SEALED
$21 - Pale Waves - My Mind Makes Noises (clear 2xlp) NM
$38 - Patton Oswalt - Feelin Kinda Patton VG+
$40 - Paulson - All at Once (Blue splatter) VG+
$20 - Pedro The Lion - Havasu (peach) VG+
$36 - Perma - Fight Fair (half blue/half green) SEALED
$24- Pet Symmetry - Vision (cream) VG+
$20 - Petal - Shame (pink) VG+
$23 - Phoenix - Bankrupt! VG++
$20 - Pianos Become the Teeth - Wait for Love (White) SEALED
$60 - Piebald - All Ears, All Eyes, All the Time (Coke bottle clear) VG+
$18 - PINE - s/t (blue /200) SEALED
$16 - Polar Bear Club - Live at the Montage (red) vg+
$17 - Polar Bear Club - Chasing Hamburg (gold) VG+
$40 Portugal the Man - Americam Ghetto VG+
$90 - Portugal the Man - The Majestic Majesty NM
$65 - Portugal the Man - Censored Colors (2008 black press) VG+
$20 - Portugal the Man - In the Mountain In the Cloud (white) VG+
$44 - Preston School of Industry - All This Sounds Gas VG+
$54 - Prince Daddy and the Hyena - Cosmic Thrill Seekers (half green/half purple) VG+
$30 - Prince Daddy and the Hyena - I Thought You Didn't like Leaving VG+
$45 Prince Daddy and the Hyena - S/T (white w black silver twist) NM
$20 - Proper. - The Great American Novel (pink and evergreen splatter) SEALED
$50 - Pup - Morbid Stuff (half cleahalf white) vg+
$22 - Pup - The Unraveling of Pup the Band (clear w black/yellow/pink splatter) SEALED
$28 - Raquet Club - S/T (Blue/black split) vg+
$40 - Radiohead - in Rainbows (2017 XL press) vg+
$20 - Rage Against the Machine - Rage Against the Machine XX (Pic disc) VG+
$80 - Rainbow Kitten Surprise - RKS! Live from Athens (with slipcase) VG+ one corner ding
$65 - Raury - All We Need VG+
$30 - Ray Lamontagne - God Willin and the Creek Don't Rise VG+
$60 - The Receiving End Of Sirens - The Earth Sings Mi Fa Mi (clear w black and white splatter--- bonus 2003 demos 7") VG+
$20 - Red City Radio - To the Sons and Daughters of Woody Guthrie (blue w black splatter) VG+
$36 - Red City Radio - Paradise (blue with gray pink twist) VG+
$75 - Reggie and the Full Effect - Inside the Dust Sleeve (180g) VG+
$20 Remo Drive - Natural, Everyday Degredation (clear smoke) VG+
$20 - Remo Drive - A Portrait of an Ugly Man (Maroon) VG+
$20 - Restorations - S/T (white w green) VG+
$28 - Restorations - LP2 (white/green/yellow swirl) VG+
$20 - Restorations- LP3 (red/white/yellow/black starburst) vg+
$20 - Restorations - LP5000 (white) VG+
ALL 4 RESTORATIONS FOR $70
$21 - Rex Orange County - Pony (slipcase) VG+
$32 - Rhye - Blood (green marble) VG+
$48 - Rival Schools - United by Fate (white/blue pinwheel) SEALED
$45 - Rival Sons - Before the Fire (orange splatter) VG+
$18 - Rocky Votolato - Hospital Handshakes (black/white/light blue) SEALED
$60 - Rocky Votolato - Suicide Medicine (red/bone) SEALED
$38 - The Routes - Dirty Needles And Pins (dysphoria swirl) VG+
$32 - Rufio - MCMLXXXV (orchid and baby blue swirl) NM
$40 - Rufio - The Comfort of Home (Black and gold) NM
$25 - S.Carey - Break Me Open (yellow and black) NM
$19 - Saintseneca - Pillar of Na
$22 - Saintseneca - Dark Arc
$70 Sam Fender - Seventeen Going Under (white marble import) SEALED
$26 - Saosin - Along the Shadow VG
$62 - Saosin - Translating the Name (teal) SEALED
$80 - Saves the Day - In Reverie (white w black and blue splatter) VG+
$33 - Say Anything/Matt Pryor - Daytrotter no. 23 VG+
$21 - Seahaven - Winter Forever (pink/blue) vg+
$18 - Sevendust - Kill the Flaw (blood red) SEALED
$24 - Shannon and the Clams - year of the spider (Godstone) VG+
$20 - Sharon Jones and the Dap Kings - 100 days, 100 nights VG+
$19 - Sharptooth - Transitional Forms (GOLD Nugget) SEALED
$20 - Signals Midwest - I used to draw 7" (clear) VG+
$54 - Silk Sonic - An Evening with Silk Sonic (Alt Cover) SEALED
$42 - Silversun Pickups - Swoon (lavendeclear split) VG+
$50 - Sincere Engineer - Bless My Psyche (olive green) VG+
$24 - Skatune Network - Ska Goes Emo vol 1 (white w blue orange splatter) VG+
$20 - Skatune Network - Burn the Billboard (violet) SEALED
$18 - Sleater Kinney - S/T (2014 press) VG+
$65 - Sleater Kinney - Dig Me Out (OG 1997 press) VG
$45 - The Smiths - The Queen is Dead (09 US press 180g) SEALED
$70 - The Smiths - Louder Than Bombs (87 US press) VG+
$20 - Snow Patrol - Final Straw SEALED
$42 - Soft Kill - Savior (black /1300)
$55 - Soft Kill - An Open Door (clear w orange white splatter /100) NM
$25 - Soft Kill - Dead Kids RIP City VG+
$34 - Soft Kill - Desd Kids RIP City (yellow) VG+
$20 - Solemn Brigham - South Sinner Street (brown swirl) SEALED
$20 - Son Little - Aloha (Pineapple) VG+
$35 - Soul Blind - Greatest Hits vol 1 (clear w black/violet splatter) VG+
$72 - The Sound of Animals Fighting - The Tiger and the Duke (red) VG+
$24 - Spanish Love Songs - Brave Faces ETC. (cleawhite split w mint splatter) SEALED
$27 - Stay Inside - Viewing (dusk) SEALED
$165 - Stornoway - Beachcomber's Windowsill (import) SEALED
$40 - The Story So Far - The Story So Far (half cream half blue trans) VG+
$20 - St Paul and the Broken Bones - The Alien Coast (gold nugget) NM
$120 - Straylight Run - The Needles the Space VG
$75 - Straylight Run - S/T (brown marble) VG
$21 - Straylight Run - Live at the Patchogue Theater SEALED
$23 - The Stokes - Room on Fire VG+
$20 - Sundowner - We Chase the Waves (orange) VG+
$42 - Superheaven - Ours is Chrome (Black into yellow) VG+
$23 - Surfers Blood - Covers (amber w black) VG+
$18 - Swearin - Fall into the Sun (Coke bottle clear) VG+
$18 - Take Offense - Keep an Eye Out (clear w red and yellow splatter) SEALED
$30 - Taking Back Sunday - Tell All Your Friends (Sangria w 10") SEALED
$23 - Taking Back Sunday - Tell All Your Friends (12"black copy) vG+
$50 - Tall Heights - Neptune VG+
$20 - theithey're/there - S/t (seafoam clear) VG+
$20 - theitheyre/there - Analog Weekend VG+
$80 - Third Eye Blind - Out of Vein (Silver import) VG+
$25 - Thrice - To Be Everywhere... ( blue w rainbow splatter) SEALED
$35 - Thrice - Majominor (gold/yellow) SEALED
$49 - Thrice - Beggars (green/blue/yellow striped) VG+ with the 7"sealed
$65 - Thursday - Full Collapse live (white)SEALED
$25 - Tigers Jaw - Studio 4 Acoustic (half blue half white) VG+
$20 - Tillian - Factory Reset (red/green/black) SEALED
$27 - Tokyo Police Club - Forcefield VG+
$23 - Touche Amore - Lament (aqua) vg+
$110 - Turnstile - Glow On (pit turd brown) SEALED
$45 - Turnstile - Pressure to Succeed (2014 black press) VG++
$26 - Tyler the Creator - Flower Boy VG+
$55 - A Wilhelm Scream - Partycrasher (Kaleidoscope /150) VG+
$60 - Beavis and Butthead SNES (blue w yellow splatter) NM
$30 - A Charlie Brown Christmas (clear w red swirl) SEALED
$30 Various - Amerikinda: 20 Years of Dualtone (camo) VG+
$18 - Various- Bridge and Tunnel Soundtrack (random color) VG+
$50 - Various - Chillhop Essentials Winter 2021 (white) SEALED
$40 Various - David Bowie in Jazz - A Jazz Tribute to David Bowie (import) VG+
$28 - Various - Dead Formats vol 1 (red white blue smash w splatter) SEALED
$31 - Various - Disney Ultimate Hits vol 1 +2 (green + blue)
$21 - Various - Encanto SEALED
$28 - Various - Girls vol 2 TV soundtrack VG (shelf wear and corner ding
$22 - Various - Lady Bird Soundtrack VG+
$55 - Various - Lyricist Lounge vol 1 (1998 4XLP) VG+ corner dings
$40 - Various - Magnolia Record Club - NPR Tiny Desk (blue marble) VG+
$52- Various - Magnolia Record Club - Spotify Singles (Ghostly Green Swirl) VG+
$54 - Various - Minnesota Beatle Project Vol 3 (red) VG+
$50 - Various - Minnesota Beatle Project Vol 4 (white) SEALED
$23 - Various - Motown Christmas 1's (red and green) VG+
$100 - Various- O Brother Where art Thou? Soundtrack (Black and white split) VG+
$110 - Various - The Phantom of the Opera Motion Picture Soundtrack (2016 MOV black press) sleeve NM media VG(scratch that doesn't seem to affect play)
$28- Various - Sing 2 Soundtrack VG+
$25 - Various - Coco Soundtrack (Pic disc)NM
$75 - Various - The Very Best Of Black Flavour Club (4xlp) [a lot of 90s hiphop] SEALED
$90 - This Warm December: A Brushfire Holiday vol 1 (Green/Red) VG+
$20 -Various -Troll World Tour Soundtrack (clear white) VG+
$20 - Various - Wish I Was Here Soundtrack VG+
$20 - Various - Soul Pixar Soundtrack SEALED
$25 - Vampire Weekend - Contra VG+
$80 - Vacationer - Gone VG
$18 - The Warriors - Monomyth (black inside clear) SEALED
$50 - Windowspeak - Windowspeak (red) SEALED
$21 - Worst Party Ever - Dartland (red) VG+
$70 - The Wonder Years - No Closer to Heaved (blue/burgundy mix) VG+
$135 - The Wonder Years - The Upsides/Suburbia 10 yr Anniversary Boxset (white) VG+
$46 - Wintersleep - Wintersleep VG+
$42 - Wildcat! Wildcat! - No Moon At All SEALED
$60 - Wild Nothing - Gemini (purple) VG+
$30 - Wild Nothing - Indigo (blue smoke) SEALED
$29 - Wicca Phase Springs Eternal - Secret Boy (Pink) VG+
$24 - The Weakerthans - Reconstruction Site VG+
$25 - Waxahatchee - American Weekend VG+
$22 Waxahatchee - Saint Cloud VG+
$80 - The War on Drugs - A Deeper Understanding (clear) VG+
$30 - Walk the Moon - What If Nothing (purple white swirl) VG+
$35 - Walter Schreifels - An Open Letter to the Scene (Green/white) VG+
$20 - Young Statues - Age Isnt Ours (white/yellow) VG+
$20 - You Blew It! - Abendrot (blue in clear) SEALED
submitted by thewmatic to VinylCollectors [link] [comments]


2023.03.21 14:56 North_egg_ What did I do wrong? Had to touch up a few spots on new paint job and the despite being pretty dry it looks way different. Painting near ceiling also looks different.

pictures of bad paint job
Starting to WFH in a few days and wanted to paint my office. Used a roller in the walls and a little brush around the trim and near the ceiling. The lines by the ceiling were visible from the start but the big splotches on the wall are from where I went over some spots that still showed the previous paint color underneath (white).
I did two coats of paint so I guess the touch up spots are three coats, but the lines are only two coats. It’s Sherwin Williams satin/eg-shell.
Will I have to do a third coat EVERYWHERE EXCEPT these areas to even it out?
submitted by North_egg_ to HomeImprovement [link] [comments]


2023.03.21 13:46 jdurr3 [WTS] William Moorcroft Vase Art Deco period 1928 - 36 Spring Floral

[WTS] William Moorcroft Vase Art Deco period 1928 - 36 Spring Floral submitted by jdurr3 to WiseCoArts [link] [comments]


2023.03.21 13:30 Albertjweasel The Lesser Celandine

Lesser Celandine, Ficaria Verna, (ficaria meaning ‘of a fig’ and being a reference to the root structure of the plant, and verna being a girl's name of Latin origin meaning ‘springtime’), is one of the first flowers to raise its head in the spring.
It’s common name Celandine comes from the Latin chelīdonius, which in turn originates from the Greek ‘khelidōn’ meaning Swallow, this is because the flowering of the Lesser Celandine was thought to coincide with the arrival in Europe of swallows from their wintering grounds in Africa, the theory being that when the flowers faded the swallows would also depart.
’Little Frog’
It belongs to the genus Ranunculus, the buttercup family, and this scientific name comes from the Latin ‘rana’, meaning frog, and ‘culus’, meaning ‘little’, hence; 'little frog', this is thought to be because both frogs and Lesser Celandines are usually found in damp places.
The flowers of the Lesser Celandine are a radiant yellow and usually have around eight petals which are highly reflective on sunny days, lighting up the darkest hollows of the countryside, such as damp woodland glades, riverbanks and hedgerows, between February and May. They are also famous for their habit of opening in the sunshine and closing the dark, seemingly worshipping the sun.
They usually grow in clumps, spreading from small patches to form large carpets across the ground, with heart-shaped and deep glossy, green leaves which are quite often patterned with intricate mottled markings. The roots of the plant are a mass of white tubers which creep across the ground and take root in new locations, growing from the junction between the leaf and stem, called the ‘axil’.
These tubers will swell up to form slim, white bulbs which are reputedly delicious and can be eaten as a starchy vegetable, in central Europe the young parts of the plant are added to salads and they have medicinal properties too. An alternative, old name for the plant is the ‘pilewort’, as the roots are supposedly a cure for piles and other ailments such as corns and another name is ‘scurvywort’ as its leaves contain high amounts of vitamin C which the sailor’s disease scurvy is caused by a lack of. The plant also contains a compound called ‘protoanemonin’ however, which makes the sap acrid and blistering, the amounts of this compound increase as the plant flowers and make handling it without gloves inadvisable.
Lesser celandine was one of the poet William Wordsworth's favourite flowers and was carved on his memorial in Westminster Abbey, it is said to have meant more to him than the Daffodil with which he is most commonly associated, as this gentle ode to the flower testifies;
'There is a Flower, the Lesser Celandine, That shrinks, like many more, from cold and rain; And, at the first moment that the sun may shine, Bright as the sun itself, 'tis out again!'
From ‘The Small Celandine’, by William Wordsworth (1770-1850)
submitted by Albertjweasel to RibbleValley [link] [comments]


2023.03.21 13:29 Albertjweasel The Lesser Celandine

Lesser Celandine, Ficaria Verna, (ficaria meaning ‘of a fig’ and being a reference to the root structure of the plant, and verna being a girl's name of Latin origin meaning ‘springtime’), is one of the first flowers to raise its head in the spring.
It’s common name Celandine comes from the Latin chelīdonius, which in turn originates from the Greek ‘khelidōn’ meaning Swallow, this is because the flowering of the Lesser Celandine was thought to coincide with the arrival in Europe of swallows from their wintering grounds in Africa, the theory being that when the flowers faded the swallows would also depart.
’Little Frog’
It belongs to the genus Ranunculus, the buttercup family, and this scientific name comes from the Latin ‘rana’, meaning frog, and ‘culus’, meaning ‘little’, hence; 'little frog', this is thought to be because both frogs and Lesser Celandines are usually found in damp places.
The flowers of the Lesser Celandine are a radiant yellow and usually have around eight petals which are highly reflective on sunny days, lighting up the darkest hollows of the countryside, such as damp woodland glades, riverbanks and hedgerows, between February and May. They are also famous for their habit of opening in the sunshine and closing the dark, seemingly worshipping the sun.
They usually grow in clumps, spreading from small patches to form large carpets across the ground, with heart-shaped and deep glossy, green leaves which are quite often patterned with intricate mottled markings. The roots of the plant are a mass of white tubers which creep across the ground and take root in new locations, growing from the junction between the leaf and stem, called the ‘axil’.
Pilewort
These tubers will swell up to form slim, white bulbs which are reputedly delicious and can be eaten as a starchy vegetable, in central Europe the young parts of the plant are added to salads and they have medicinal properties too. An alternative, old name for the plant is the ‘pilewort’, as the roots are supposedly a cure for piles and other ailments such as corns and another name is ‘scurvywort’ as its leaves contain high amounts of vitamin C which the sailor’s disease scurvy is caused by a lack of. The plant also contains a compound called ‘protoanemonin’ however, which makes the sap acrid and blistering, the amounts of this compound increase as the plant flowers and make handling it without gloves inadvisable.
Lesser celandine was one of the poet William Wordsworth's favourite flowers and was carved on his memorial in Westminster Abbey, it is said to have meant more to him than the Daffodil with which he is most commonly associated, as this gentle ode to the flower testifies;
'There is a Flower, the Lesser Celandine, That shrinks, like many more, from cold and rain; And, at the first moment that the sun may shine, Bright as the sun itself, 'tis out again!'
From ‘The Small Celandine’, by William Wordsworth (1770-1850)
submitted by Albertjweasel to RuralUK [link] [comments]


2023.03.21 13:27 Albertjweasel The Lesser Celandine

Lesser Celandine, Ficaria Verna, (ficaria meaning ‘of a fig’ and being a reference to the root structure of the plant, and verna being a girl's name of Latin origin meaning ‘springtime’), is one of the first flowers to raise its head in the spring.
It’s common name Celandine comes from the Latin chelīdonius, which in turn originates from the Greek ‘khelidōn’ meaning Swallow, this is because the flowering of the Lesser Celandine was thought to coincide with the arrival in Europe of swallows from their wintering grounds in Africa, the theory being that when the flowers faded the swallows would also depart.
’Little Frog’
It belongs to the genus Ranunculus, the buttercup family, and this scientific name comes from the Latin ‘rana’, meaning frog, and ‘culus’, meaning ‘little’, hence; 'little frog', this is thought to be because both frogs and Lesser Celandines are usually found in damp places.
The flowers of the Lesser Celandine are a radiant yellow and usually have around eight petals which are highly reflective on sunny days, lighting up the darkest hollows of the countryside, such as damp woodland glades, riverbanks and hedgerows, between February and May. They are also famous for their habit of opening in the sunshine and closing the dark, seemingly worshipping the sun.
They usually grow in clumps, spreading from small patches to form large carpets across the ground, with heart-shaped and deep glossy, green leaves which are quite often patterned with intricate mottled markings. The roots of the plant are a mass of white tubers which creep across the ground and take root in new locations, growing from the junction between the leaf and stem, called the ‘axil’.
These tubers will swell up to form slim, white bulbs which are reputedly delicious and can be eaten as a starchy vegetable, in central Europe the young parts of the plant are added to salads and they have medicinal properties too. An alternative, old name for the plant is the ‘pilewort’, as the roots are supposedly a cure for piles and other ailments such as corns and another name is ‘scurvywort’ as its leaves contain high amounts of vitamin C which the sailor’s disease scurvy is caused by a lack of. The plant also contains a compound called ‘protoanemonin’ however, which makes the sap acrid and blistering, the amounts of this compound increase as the plant flowers and make handling it without gloves inadvisable.
Lesser celandine was one of the poet William Wordsworth's favourite flowers and was carved on his memorial in Westminster Abbey, it is said to have meant more to him than the Daffodil with which he is most commonly associated, as this gentle ode to the flower testifies;
'There is a Flower, the Lesser Celandine, That shrinks, like many more, from cold and rain; And, at the first moment that the sun may shine, Bright as the sun itself, 'tis out again!'
From ‘The Small Celandine’, by William Wordsworth (1770-1850)
submitted by Albertjweasel to ForestofBowland [link] [comments]


2023.03.21 13:23 plainenglish2 “Mr. Queen” (historical and cultural backgrounders for international viewers, with references to other K-dramas)

“Mr. Queen” (historical and cultural backgrounders for international viewers, with references to other K-dramas)
https://preview.redd.it/c457fbhcu2pa1.jpg?width=450&format=pjpg&auto=webp&s=6a0dca102a3c06acfe92c85fac05b2feb05f86cd
Index: Introduction; K-dramas are meant first (or primarily) for Korean viewers and only second for international viewers; A. The historical figures who were fictionalized in this drama; the rivalry between the Andong Kim and Poonyang Jo clans and “sedo politics” (royal in-law politics); lawsuit filed by descendants of a historical figure against “The Princess’s Man”; connections of “Mr. Queen” to “Moonlight Drawn By Clouds” aka “Love in the Moonlight” and to “Kingdom” Season 2, Ep. 4; B. Eps. 8 and 10: Persecution of Catholics during the Joseon Dynasty; the only K-drama I’ve seen that depicted the Catholic persecution in Joseon Korea is “Yi San, Wind in the Palace” (2007); C. Ep. 8: Korean seesaw (“neolttwigi”); D. Ep. 12: Surit-nal (Dano Festival); ceremonial robes and head gear of Joseon kings; E. Ep. 14: Ice as a valuable commodity during the Joseon Dynasty; F. Ep. 14: Donghak (religion, movement, peasant revolution); G. Ep. 16: Difference between “Jo” and “Jong” in the posthumous (temple) names of the Joseon kings; the Joseon kings’ royal portraits and dramas such as “Painter of the Wind” and “Saimdang”; H. Ep. 16: Secret Royal Investigators during the Joseon Dynasty; secret royal inpectors as depicted in “100 Days My Prince” and “Under The Queen's Umbrella”; I. Miscellaneous notes: Ep. 11: the fight with fans as weapons; “jangot” or head covering for noblewomen during the Joseon Dynasty ; the beautiful bridge across the pond in Ep. 1 and other episodes

Introduction

K-dramas are meant first (or primarily) for Korean viewers and only second for international viewers. Just like in other dramas, the historical, cultural, and political references in “Mr. Queen” are well known to the Korean viewers. On the other hand, we, the international viewers, must dig deep into Wikipedia and other sources (or post questions in forums like this) so that we can understand what’s going on.

For example, some people who have seen “Mr. Queen” said that they couldn’t stand the court politics or the infighting between the different factions because the drama didn’t provide any context. Well, the court politics and the infighting between the different factions happened between the Andong Kim and Poonyang Jo clans, which are well known to Korean viewers and thus, no context was necessary.

When “Saimdang” was first broadcast in 2017, I joined the on-air discussions of the drama in the Soompi Forums. In that forum, whenever I had questions about the drama, I had two go-to persons: for questions about Korean language, culture, and history, I asked “gerrytan8063”; whenever I had questions about Chinese characters used in the drama, I asked “liddi.” I haven’t joined the Soompi discussions after I found reddit, and so I don’t know if “gerrytan8063” and “liddi” are still active there.

Where can we turn to when we, as international viewers, have questions about Korean language, culture, and history as they relate to K-dramas? There’s Quora, of course; “bodashiri” in Tumblr has a form in his website where he/she says, “Ask me anything.” Also, since 2012, the “Annals of the Joseon Dynasty” is being translated in English, with the project supposed to be finished in 2034. Certain portions of the English translation are available online, as you can read in “Globalization of Korean history” from the official Korean government history website.

Oh, maybe we can also use ChatGPT in learning about the historical, cultural, and language issues that we come across in K-dramas.

The very first K-drama that I watched in full was the 2014 blockbuster “My Love From The Star” starring Jun Ji-hyun and Kim Soo-hyun. In this drama, I first heard the term “Joseon Dynasty” and learned how the dynasty heavily influenced what Korea is today.

Before “My Love From The Star” however, I had seen one or two brief scenes from the 2003 blockbuster drama “A Jewel in the Palace” (aka “Dae Jang Geum”) starring Lee Young-ae. Sometime in 2005 or 2006, “A Jewel in the Palace” began sweeping the Philippines. Every night at around 6 o’clock, the streets would become empty, with people shouting to each other as they rush to their homes, “Jang Geum na!” (in English, “It’s Jang Geum time!”). Since that time, “A Jewel in the Palace” has been broadcast in the Philippines five times; that’s how popular it is among Filipinos.

I watched “A Jewel in the Palace” in its entirety only in 2015. Since then, I’ve seen each episode around four or five times already; whenever I feel depressed, I rewatch Ep. 6 where Jang Geum was exiled to the herb garden outside the palace. Needless to say, Lee Young-ae is the love of my life. Next to Lee Young-ae, I love Han Hyo-joo (“Dong Yi”), Han Hye-jin (“Jumong”), Han Ga-in (“The Moon That Embraces The Sun”), Moon Chae-won (“The Princess’s Man”), Park Shin Hye (“The Royal Tailor”), Shin Se-kyung (“Six Flying Dragons”), Park Ha-sun (Queen In-hyun in “Dong Yi”), Nana (“Into The Ring”), and Go Ara (“The Joseon Magician”), in that order.

A. The historical figures who were fictionalized in this drama; lawsuit filed by descendants of a historical figure against “The Princess’s Man” (Soompi); the rivalry between the Andong Kim and Poonyang Jo clans and “sedo politics” (royal in-law politics)

The main characters in “Mr. Queen” are So-yong (Queen Cheorin), played by Shin Hye-sun, and King Cheoljong, played by Kim Jung-hyun. Some of the secondary characters are Queen Sunwon (Grand Queen Dowager) of the Andong Kim clan and Queen Shinjeong (Queen Dowager) of the Poongyang Jo clan.

“Mr. Queen” is fictional, with the following genres: historical, comedy, time travel, and body swap. But its characters and background events are inspired by historical figures and events. For example, the lead character (King Cheoljong) and his background facts — growing up destitute on Ganghwa Island, puppet of the Andong Kim clan, relatives persecuted as Catholics, etc. — are all based on history. Also, the conflict between the Andong Kim clan and Poonyang Jo clan is historical.

King Cheoljong in “Mr. Queen” is a highly fictionalized character that’s different from the historical King Cheoljong. The drama portrays him to be secretly plotting to establish himself as a strong ruler against two warring political factions — the Andong Kim clan (led by Grand Dowager Queen Sunwon) and the Pungyang Jo clan (led by Dowager Queen Sinjeong).

A-1. Historical figures who were fictionalized in “Mr. Queen”:

(1) King Cheoljong

The 25th king of the Joseon Dynasty of Korea (25 July 1831 – 16 January 1864), he was a second cousin to the heirless Heonjong of Joseon, as well as a great-great grandson of Yeongjo of Joseon. He was chosen to become King by Senior Dowager Queen Sunwon (King Sunjo’s widow) and the powerful Andong Kim clan because he was illiterate and thus easy to manipulate.
Cheoljong ascended to the throne in 1849 at the age of 19 after King Heonjong died without an heir. As a distant relative of both the recently deceased king as well as a descendant of King Yeongjo, Cheoljong was selected for adoption by the Senior Dowager Queen Sunwon (King Sunjo’s widow) at the time and to allow him to ascend to the throne. The future Cheoljong was found on Ganghwa Island where his family had been in exile since the Catholic Persecution of 1801.
When the envoys (dispatched in order to seek for the future king) arrived on Ganghwa Island, they found the exiled remnants of the royal clan barely surviving in wretched poverty, and in the midst of that degradation, 19-year old Yi Won-beom was proclaimed King. Though from the start of the Joseon Dynasty Korean kings had given top priority to the education of their sons, Cheoljong could not even read a single word on the notice delivering congratulations to him on his elevation to the royal throne.
As part of the Andong Kim’s manipulation of Cheoljong, in 1851, the clan married Cheoljong to Kim Mun-geun’s daughter, known posthumously as Queen Cheor’in.
Cheoljong died at the age of 32 in 16 January 1864 (by suspected foul play by the Andong Kim clan, the same clan which made him king), without any surviving male heirs. Once again, it became necessary to search far back in the Yi lineage to find a candidate for the throne.

The only surviving [cropped] image of King Cheoljong
(2) Queen Cheorin: wife of King Cheoljong, also known as Queen Dowager Myeongsun (27 April 1837 – 12 June 1878).

Queen Cheorin belonged to the Andong Kim clan.

(3) Grand Dowager Queen: Queen Sunwon (8 June 1789 – 21 September 1857), also known as Queen Dowager Myeonggyeong, was the spouse of Sunjo of Joseon. She served as regent of Korea from 1834–1841 and from 1849–1852.

(4) Queen Dowager: Queen Shinjeong, also known as Queen Dowager Hyoyu, (21 January 1809 - 4 June 1890) was the only wife of Crown Prince Hyomyeong of Joseon and mother of King Heonjong of Joseon.

Queen Shinjeong belonged to the Poonyang Jo clan.

A-2. “Mr. Queen” was criticized for distorting history. Among the things that was criticized is the drama’s portrayal of the Queen Dowager (Queen Shinjeong in history) as being heavily involved in shamanism.

From “Descendants of Sin Sook-joo sue The Princess’ Man” (Soompi): “According to the Seoul District Court, 108 descendants of old Sin claimed a damage suit of KRW 3 billion [2.2 million US dollars] against the broadcasting company and the writer for negatively distorting the image of their ancestor Sin Sook-joo from the Chosun era.”

This lawsuit was filed in 2011; I couldn’t find any information about what happened to this lawsuit.

A-3: Andong Kim clan, Poongyang Jo clan, and “sedo politics” (royal in-law politics)

From New World Encyclopedia:

At the beginning of the 19th century, the Andong Kim clan, who had provided the Joseon state with several queens, had seized power almost everywhere in Korea. The social stagnation that resulted was a breeding ground for unrest. Corruption and embezzlement from the treasury and its inevitable exploitation were taken to extreme levels, and reached staggering proportions. One rebellion after another was accompanied by natural disasters.
The only aim of the Andong Kim clan was the preservation of their influence. Their fierce campaign to dominate the royal house had led to a situation in which almost all of the representatives of the royal family fled from Seoul. When the royal family produced intelligent and appropriate candidates for the accession, they were either accused of treason and executed or sent into exile, so when Heonjong died, leaving no son, no acceptable candidate could be found to succeed to the throne.

From “Exactly how much power did the Andong Kim Clan have in the Joseon court? How did they attain such power?” (Quora, by Michael L. Best) :

“How did the Andong Kim clan attain power? By intermarrying with the royal family, enthroning young and easy to control men as king, purging political rivals, and, very likely, killing off any king when they begin to threaten their power.”
“After Queen Jeongsun stepped down [in 1805 as regent of King Sunjo], Queen Sunwon’s father, Kim Jo-soon, began to make his move. Kim Jo-soon, who at that time was already of high rank within the royal court, began to purge all his political rivals to help secure the position of his family and political faction. At the same time corruption in the civil service examination increased, likely in the form of bribes to the Kim clan.”

The term “sedo politics” (royal in-law politics) describes the period 1800 to 1863 when national politics in Joseon was exclusively led by a few powerful royal in-law families, most notably the Andong Kim and Poongyang Jo clans.

From“Collusive Oligopolistic Politics: Sedo and the Political Structure of Early-Nineteenth-Century Choson Korea” by Tae Yeon Eom (2012 thesis, University of British Columbia):

In contemporary Korean historiography, the reign periods of King Sunjo (r. 1800-1834), King Hŏnjong (r.1834-1849), and King Ch’ŏlchong (r. 1849-1863) are generally called “The Era of Sedo Politics” in Chosŏn Korea (1392-1910). In contemporary Korean historiography, the political theme of sedo predominated after the death of King Chŏngjo (r. 1776-1800), when national politics was exclusively led by a few powerful royal in-law families, most notably the Andong Kim and P’ungyang Cho clans, for sixty-three years. Obviously, those two major clans enjoyed extensive political authority and high social status in the nineteenth century.

Notes:

(1) Queen Shinjeong was portrayed by Chae Soo-bin in the 2016 hit “Moonlight Drawn By Clouds” aka “Love in The Moonlight." Queen Shinjeong’s husband Crown Prince Hyomyeong (King Munjo) was portrayed by Park Bo-gum.

(2) In Season 2 , Ep. 4 of “Kingdom,” Crown Prince Lee Chang visited in Ganghwa Island his distant relative Prince Noseong, an impoverished member of the royal family. The drama portrays Prince Noseong as a lowly fisherman but who’s a well-read man. This character was probably based on King Cheoljong (1831-1864), the last puppet king of the Andong Kim clan. Unlike the drama, however, in history, King Cheoljong was illiterate, which made it easy for him to be controlled by the Andong Kim clan.

“Kingdom” Season 2, Ep. 4
B. Eps. 8 and 10: References to the persecution of Catholics during the Joseon Dynasty

B-1. In Ep. 8, at around the 43:00 mark, Bong-hwan (Queen Cheorin) remembers what he learned in history classes about King Cheoljeong; among other things, he remembers that King Cheoljong’s “grandmother and aunt got killed by getting baptized.”

In Ep. 10, at around the 46:57 mark, the Royal Chef tells Queen Cheorin (Bong-hwan) that he lives alone because all of his family were killed in 1839. Queen Cheorin (Bong-hwan) then recalls that he was referring to the “Gihae Persecution.”

B-2. Some of the well-known persecution of Catholics during the Joseon Dynasty were the Sinyu Persecution of 1801, the Gihae Persecution of 1839, the Byeongo Persecution of 1846, and the Byeongin Persecution of 1866.

Relevant discussions:

From “A Brief History of the Catholic Church in Korea” (WSJ) : “The Sinyu Persecution - In 1801, more than 300 people were killed as the ruling Joseon Dynasty, under newly ascended King Sunjo, staged a clampdown on the Catholic Church in Korea, ostensibly because the religion clashed with ideals of Neo-Confucianism and threatened the social hierarchical system. Yi Seung-hun was among those executed.”

From “Korean Catholicism marked by volatile history“ (Korean JoongAng Daily) : “Catholic believers suffered numerous rounds of persecution - the Sinhae Persecution (1791), the Sinyu Persecution (1801) and the Byeongin Persecution (1866) to name just a few - with about 10,000 missionaries and believers killed over a century.”

B-3. The only K-drama I’ve watched that depicted the persecution of Catholics during the Joseon Dynasty is “Yi San, A Wind in the Palace.” In Eps. 60-61, the brother of FL Sung Song-yeon and his fellow Catholics were blamed and arrested for an assassination attempt against King Jeongjo.

C. Ep. 8: Korean seesaw (“neolttwigi”)

In the early part of Ep. 8, Queen Cheorin and her attendant play on a “neolttwigi” (Korean seesaw).

2nd photo from National Geographic by W. Robert Moore, circa 1931
From Folkency: “Neolttwigi (lit. jumping on a board) refers to seesawing, a traditional entertainment practiced mainly by women during the Lunar New Year season. A large rectangular board is supported in its middle by a round hay bundle and two players take turns pushing hard on their end of the board with their feet in order to make the other end spring up.”

It is thought that Yangban women developed “neolttwigi” to see over the walls that surrounded their homes, as women in traditional Korea were rarely allowed out of their living compounds, except at night. (Wikipedia, citing Rodney P. Carlisle, Encyclopedia of Play in Today’s Society, Volume 1)

D. Ep. 12: Surit-nal (Dano Festival); ceremonial robes and head gear of Joseon kings

In Ep. 12, King Cheoljong presides over the Royal Banquet during the celebration of the Surit-nal (Dano Festival). His ceremonial robe is called “gujangbok,” while the head gear is called “myeonryugwan” (The Talking Cupboard) .

https://preview.redd.it/kpaoer4z13pa1.jpg?width=450&format=pjpg&auto=webp&s=b9a1e536f919350963e9de1ecd4fbf2ba20d6cfa
The robe and head gear were worn by the King and the Crown Prince during special events; with the head gear, the more the number of strings, the higher the rank. The jade object that he’s holding is called the “hol” (or “okgyu” depending on the type of jade used to make it.

E. Ep. 14: Ice was a valuable commodity during the Joseon Dynasty.

In Ep. 14, the Grand Queen Dowager tells Queen Cheorin (Bong-hwan) that ice is a valuable commodity in Joseon.

From “Summer on ice: How ice became an essential part of summer life in Korea” (Korea Herald):

During the Joseon era (1392-1910), ice was a national asset under the control of the king, and accordingly, a luxury for noblemen.
Harvested from rivers and ponds in the winter, ice blocks were stored at facilities called “binggo.” They were used for ancestral rituals, for medical purposes and to keep food cool. Seoul districts Seobinggo and Dongbinggo have their origins in the history of ice storage.

From “Keeping food cool, the ancient way” (Korea JoongAng Daily) : “Since the year 505, or the 6th year of King Jijung’s reign, until the arrival of freon and electricity centuries later, Koreans used stone bunkers to store blocks of ice throughout the year. These seokbinggo, literally “stone ice storage,” were located around the country. Local governments sometimes delivered ice to palaces, but mostly used ice as a means to prevent special local products from spoiling on the way to a palace.”

From “Feeling the heat: The luxury of ice” in Joseon (Korea Times) by Robert Neff:

The Korean government maintained two large ice storage facilities at Seobinggo and Dongbingo, where huge slabs of river ice (nearly two meters long and about 12.5 centimeters thick) were covered with straw and preserved throughout the year. Court officials and others who possessed “bingpae” ― an ice ration card ― were regularly able to obtain a certain amount of this valuable commodity (based on their rank) for their own use.
The common people, however, had to either purchase ice on the black market or from ice merchants. The black market ice ― obtained illegally from one of the government ice storage facilities ― was probably considered to be safer but much more difficult to obtain and so most people had to rely on local ice vendors.

Notes:

(1) “The Grand Heist” is a 2012 South Korean historical comedy film about a gang of 11 thieves who try to steal ice blocks from the royal storage, Seobingo, during the last years of the Joseon era.

(2) In Ep. 9 of “A Jewel in the Palace,” crisis hits as Lady Han falls sick and Jang Geum, with Keum Young, is left to prepare the food for the king and his entourage in the royal hunt. When the Head Eunuch tells Jang Geum and Keum Young that the king wants cold noodles, he asks them if they brought ice with them. (When I first saw this scene back in 2015, I thought, “What’s the big deal with ice?”)

(3) In Ep. 2 of “The Tale of Nokdu,” Yul Mu prepares for Dong Joo a dessert for breakfast. The gisaengs around him become awestruck after the package that his bodyguard brought turns out to be a small block of ice.

What Yul Mu prepared for Dong Joo is similar to “patbingsu” (“bingsu).” Bingsu was introduced to Korea during the Japanese colonial period, but according to “Snowy delights and variations on bingsu” (Korea Herald) , shaved ice treats existed even during the Joseon Dynasty.

https://i.redd.it/n78c477zy2pa1.gif
This is a bit off-topic, but notice two things after Yul Mu’s bodyguard finishes chopping the ice into smaller pieces:

(a) Before sheathing his sword into the scabbard, the bodyguard makes a downward slash with his sword and with a quick wrist flick; he did this to get rid of the water that may create rust in his sword. A swordsman also does this after slashing an enemy; blood may also cause the sword to become rusty.
(b) The bodyguard sheaths his sword into the scabbard with the bladed side up. Why? Two reasons. One, if the bladed edge is sheathed with the bladed edge down, gravity will pull the blade down into the scabbard, causing the blade to become dull. Two, it seems that when a sword is sheathed with the blade up, it’s easier to unsheathe the sword and quickly attack an enemy.

(4) In Ep. 7 of Mr. Sunshine, Ae-shin and her servant Haman enjoy “patbingsu” (“bingsu”) in the French bakery.

F. Ep. 14: Donghak (religion, movement, peasant revolution)

In Ep. 14, the ministers threaten King Cheoljeong that if he does not order the execution of Dam Hyang (the little girl who saved Queen Cheorin from being poisoned), they will consider him as a supporter of the “Donghak” religion and its followers.

From Wikipedia:

Donghak (lit. “Eastern Learning”) was an academic movement in Korean Neo-Confucianism founded in 1860 by Choe Je-u. The Donghak movement arose as a reaction to seohak (“Western learning”), and called for a return to the “Way of Heaven.” While Donghak originated as a reform movement and revival of Confucian teachings, it gradually evolved into a religion known today as “Cheondoism” in Korea under the third patriarch.
Choe was alarmed by the intrusion of Christianity (Catholicism), and the Anglo-French occupation of Beijing. He believed that the best way to counter foreign influence in Korea was to introduce democracy, establish human rights and create a paradise on Earth independent of foreign interference.
In 1892 the small groups of the Donghak movement were united into a single Peasant Guerrilla Army or Donghak Peasants’ Army. The peasants worked in the fields during the day, but during the night, they armed themselves and raided government offices and killed rich landlords, traders, and foreigners. They confiscated their victims’ properties for redistribution.
Choe Je-u was executed as a criminal by the government. The movement was continued by Choe Si-Hyeong (1829–1898), who systematized its doctrine. He too was executed.

Related resources: “Gov’t to commemorate Donghak Peasant Revolution for 1st time” ; “Korea celebrates 125th anniversary of Donghak Peasant Revolution in 1894 (2020)”

G. Ep. 16: Difference between “Jo” and “Jong” in the posthumous (temple) names of the Joseon kings; the Joseon kings’ royal portraits and dramas such as “Painter of the Wind” and “Saimdang”

G-1. In Ep. 16, during the Royal Portrait painting session, Queen Cheorin wonders about the difference between between “Jo” and “Jong” in the posthumous (temple) names of the Joseon kings. The subtitles say that “jo” is added to the name of a king who’s honored for doing something great; on the other hand, “jong” is added to the name of a king who’s honored for his virtue. Well, this is just one of two reasons for the difference.

The website “dramasROK” in its in-depth article cites Korean historian Sul Min Suk who gives two reasons for the difference:

(1) Relationship of the king to his predecessor:

“If the successor was the king’s son – or next in line to the throne – then that king was given a posthumous title ending in JONG.
“BUT if the king was not next in line to the throne and started a new line within the Yi dynasty then his posthumous name was JO.”

(2) “The ending JO was given to the founder of the dynasty – Taejo – for great achievements establishing a new dynasty. And then his descendants were supposed to be named JONG. So in a way, the title JO could be considered superior to JONG. And from now on this was the case. JO was seen as a more elite title to JONG. It started with King Seonjo…”

Relevant discussions: Why was King Sejong named "Sejong" instead of "Sejo"? and “Rulers of the Joseon Dynasty and KDrama Interpretations”

G-2. The Joseon kings’ royal portraits and dramas such as “Painter of the Wind” and “Saimdang”

Only seven portraits of five Joseon kings remain today as the others were destroyed during the Korean War (1950-1953). These surviving portraits are those of King Sejong, King Yeongjo, King Jeongjo, King Cheoljong, King Gojong, and King Sunjong. You can view these portraits at the Royal Portrait Museum in Jeonju, Korea.

https://preview.redd.it/0nxhjw1ez2pa1.jpg?width=450&format=pjpg&auto=webp&s=51dd5a7e7da44d8ca156664e85c355c1b13dbc6c
For a more detailed depiction of how the Joseon kings’ royal portraits were drawn according to strict standards, you can watch “Painter of the Wind” (2008; Eps. 10-11) and “Saimdang” (2017; Ep. 22).

H. Ep. 16: Secret Royal Investigators during the Joseon Dynasty; secret royal investigators as depicted in “100 Days My Prince” and “Under The Queen's Umbrella”

H-1. In Ep. 16, King Cheoljong sends his trusted man Hong as a secret royal investigator to the most corrupt place in south Joseon. In his confrontation with a nobleman in a gisaeng house, Hong displays his “mapae.”
From “Amhaeng-eosa - secret royal inspector in Joseon Kingdom”:

“They were undercover officials directly appointed by the king and were sent to local provinces to punish corrupt officials and comfort the sufferings of people while traveling incognito. The amhaeng-eosa system was one of the most excellent inspection systems in the world, the likes of which is very unique and hard to find in other countries.”
The “mapae” was the badge of the secret royal inspectors, and the number of horses carved on it indicated the number of horses that they could requisition from the royal stables (“saboksi”) in pursuit of their assignment. The secret royal inspectors also used the “mapae” to summon soldiers.

The book “Corea, The Hermit Kingdom” (1888) by William Elliott Griffis states several interesting things about the secret royal inspectors. They were called “The Messengers on the Dark Path,” and to prevent them from abusing their powers, they were secretly monitored by a “yashi” or “Night Messenger.” Griffis states:

“An E-sa, or commissioner, who is to be sent to a distant province to ascertain the popular feeling, or to report the conduct of certain officers, is also called ‘The Messenger on the Dark Path.’ He receives sealed orders from the king, which he must not open till beyond the city walls. Then, without even going to his own house, he must set out for his destination, the government providing his expenses. He bears the seal of his commission, a silver plate having the figure of a horse engraved on it. In some cases he has the power of life and death in his hands.
“Yet, even the Messenger of the Dark Path is not free from espionage, for after him forthwith follows his ‘double’ the yashi or Night Messenger, who reports on the conduct of the royal inspector and also on the affairs of each province through which he passes. The whereabouts of these emissaries are rarely discoverable by the people, as they travel in strict disguise, and unknown.
“This system corresponds almost exactly to that of the ometsuke (eye-appliers), for many centuries in use in Japan, but abolished by the Mikado’s government at the revolution of 1868. It was by means of these E-sa or spies that many of the Corean Christians of rank were marked for destruction. The system, though abominable in free countries, is yet an excellent medium between the throne and the subject, and serves as a wholesome check on official rapine and cruelty.”

H-2. Secret royal inspectors as depicted in "100 Days My Prince" and "Under the Queen’s Umbrella":

In Ep. 7 of “100 Days My Prince,” a royal secret inspector (“Amhaengeosa”) saves Yul and Hong-shim from the corrupt magistrate and Master Park. Hong-shim previously recognized that the man sleeping in her father’s room was a royal secret inspector because he was holding a “yuchuk” (a brazen ruler that inspectors used for several purposes, including making sure that the measurement system for taxation was correctly followed).

https://preview.redd.it/fp2wmm7kz2pa1.jpg?width=450&format=pjpg&auto=webp&s=dbb8423675f5ae42963be7a4c1843021afde71bb
In Eps. 8-10 of “Under The Queen's Umbrella, as part of the contest, the Grand Princes and the princes disguise themselves as “secret royal inspectors” (“amhaeng-eosa”) in pursuit of the assignments given by King Lee Ho. In some scenes, you can see the inspectors’ seal (badge) and tool: the “mapae” and the “yuchuk.”

I. Miscellaneous notes: Ep. 11: the fight with fans as weapons; “jangot” or head covering for noblewomen during the Joseon Dynasty ; the beautiful bridge across the pond in Ep. 1 and other episodes

I-1. Ep. 11: During the festival, King Cheoljoeong and Kim Byeong-in fight using fans as requested by the Grand Queen Dowager. While they’re using ordinary fans, there’s actually a martial art system using a fan as a weapon.

https://preview.redd.it/xifgh51b23pa1.jpg?width=450&format=pjpg&auto=webp&s=58765eca5345effd9c2f3bbc9d82699a523d54f2
From Wikipedia: Tessenjutsu (Japanese; lit. “iron fan technique”) is the martial art of the Japanese war fan (tessen). It is based on the use of the solid iron fan or the folding iron fan, which usually had eight or ten wood or iron ribs. The use of the war fan in combat is mentioned in early Japanese legends.

In Ep. 11 of “Saimdang,”Lee Gyeom fights off Min Chi-hyung’s men using his fan.

Related resources: War Fan Tessen Techniques and Why Samurai Carried and Fought with Fans Made of Metal

I-2. “Jangot” (alternative spelling ”changot”): similar to the outer jacket of a hanbok but with a collar and a ribbon for tying both sides; according to the principles of the Joseon Dynasty’s Confucianism, women were ordered not to show their face to men, so they would cover their faces in many ways while going out. (Wikipedia)

https://preview.redd.it/r06c2mioz2pa1.jpg?width=450&format=pjpg&auto=webp&s=975e4ba5fdaafc0a05a793fdc61010abc336fdbd
From “Veiling of Korean Women: The Neo-Confucian Influence in Comparison to the Veiling of Muslim Women” by Hye Ok Park (Claremont Graduate University, Department of History) :

Different types of veils
“There were several different types of veils, Sseugae, worn by Korean upper-class women: Nuhwool, a black sheer silk framed veil to cover from head to waist (Figure 3), Jangot, a head and face-covering in the shape of overcoat, usually made of green pure silk with purple collar and chest straps to be tied at the chin (Figure 4), and Sseugae chima or shorter Jangot, worn by the lower-ranking upper-class women (Figure 5).
“Lower-class common women were not subjected, or allowed, to wear any headdresses except for the purpose of protection from weather, hot or cold, in which case they wore a simple square piece of cloth, called cheoneui, folded in half diagonally and tied in the back of the head. It was common that they did not wear anything to cover their heads or faces when they went out on their own or accompanying a noble woman as seen in Figure 1 above.”

I-3. The beautiful bridge and pond shown below are used as the location for several scenes in “Mr. Queen”, starting with Ep. 1. This bridge is located in the Gungnamji Pond (Historic Site No. 135) in Seodong Park; it is Korea’s first artificial pond and was created by King Mu from the Baekje Dynasty. The bridge and pond have been used in other dramas such as “The Flower in Prison,” “The Joseon Gunman,” and “The Tale of Nokdu.”

https://preview.redd.it/mloxzq7tz2pa1.jpg?width=450&format=pjpg&auto=webp&s=5e015dccd9623cffb9b1abe21f33158f999ff054
Notes:

(1) In digging up the historical and cultural backgrounders of the K-dramas that I watch, I rely on English language resources on the Internet. I don’t speak or read Korean, and so I can’t search through Naver. Those of you who read Korean or are more knowledgeable about Korean culture and history should correct whatever errors or omissions there may be in this discussion.

(2) Other discussions that I have posted on the historical and cultural backgrounders of K-historical dramas:

“Hotel Del Luna” (some cultural backgrounders for international viewers)
“The Princess’s Man” (award-winning 2011 drama starring Moon Chae-won and Park Si-hoo)
“The Flower in Prison” (blockbuster 2016 drama starring Jin Se-yeon and Go-soo; 34 of its 51 episodes reached more than 20% viewership)
“Jejoongwon” (2010 historical-medical drama starring Han Hye-jin, Yeon Jung-hoon, and Park Yong-woo; Dramabeans ranked this drama as number one in its review of 2010 dramas)
“Chinilpa” (mini history lesson from "Chicago Typewriter")
Historical paintings depicted in "Saimdang, Light’s Diary"
Historical backgrounders for “The Red Sleeve” (2021) and “Yi San” (2007) with parallels and differences between these dramas

(3) This discussion is rather long and may be a bit boring for those of you who don't like history. If you got tired reading this discussion, you can energize yourself by listening to Band-Maid’s performances during their 2022 USA tour. Band-Maid is an all-female Japanese band that mixes genres such as rock (hard, progressive, punk), metal, pop, jazz, and blues. Listen for example to “Freedom" (anthem; watch out for the drum solo); “Daydreaming" (power ballad; watch out for the lead guitar solo); “Wonderland” (rock-jazz-blues).
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2023.03.21 12:25 WilliamsLakeNewsBot Expect tradition, modern twists at Indoor Spring Classic Rodeo in Williams Lake - Barriere Star Journal

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2023.03.21 12:01 Devi8tor The First Debt I Ever Had

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